1 00:00:25,358 --> 00:00:26,492 - HI, TONI. - HI! 2 00:00:26,593 --> 00:00:27,760 RIGHT OVER HERE, PLEASE. 3 00:00:27,861 --> 00:00:29,295 {\an8}LAST SEASON, WE HAD A WHOLE LOT OF FUN... 4 00:00:29,396 --> 00:00:30,897 I THINK I'M TRY-SEXUAL. 5 00:00:30,997 --> 00:00:32,198 I WILL TRY SOMETHIN' ONE TIME. 6 00:00:32,298 --> 00:00:33,967 THIS IS AN OUTFIT. 7 00:00:34,067 --> 00:00:36,502 DO-DO-DO-DO... 8 00:00:36,603 --> 00:00:37,804 TRACI, HOW OLD IS THIS PHONE? 9 00:00:37,904 --> 00:00:39,706 THIS WAS IN NEW JACK CITY 10 00:00:39,806 --> 00:00:41,207 ...A WHOLE LOT OF DRAMA... 11 00:00:41,307 --> 00:00:42,775 DO YOU HAVE A HANG-OVER OR SOMETHIN'? 12 00:00:42,876 --> 00:00:44,110 NO. 13 00:00:44,210 --> 00:00:45,111 YOU'RE A LIAR. 14 00:00:45,211 --> 00:00:46,979 - AND YOU'RE A DIRTY LIAR. - OH! 15 00:00:47,080 --> 00:00:48,581 SHUT THE UP-- KISS MY ASS. 16 00:00:48,681 --> 00:00:50,783 I JUST DON'T KNOW WHERE I'D BE OR WHO I WOULD BE 17 00:00:50,884 --> 00:00:52,718 WITHOUT YOU GUYS. 18 00:00:52,819 --> 00:00:54,654 BUT OVERALL, IT WAS ONE CRAZY RIDE. 19 00:00:54,754 --> 00:00:56,422 BOTH OF YOU LOOK LIKE OOMPA LOOMPAS. 20 00:00:58,058 --> 00:01:00,693 EW! 21 00:01:00,794 --> 00:01:02,962 AND THIS WOMAN'S VAGINA IS ALL THE WAY DOWN TO HER SHIN. 22 00:01:03,063 --> 00:01:04,197 YOU DON'T LISTEN. 23 00:01:04,297 --> 00:01:06,599 IT'S THE TRUTH DOT COM AND YOU DON'T WANNA ACCEPT THAT. 24 00:01:08,301 --> 00:01:09,535 {\an8}A LOT HAS HAPPENED TO MY SISTERS AND I 25 00:01:09,636 --> 00:01:11,237 {\an8}SINCE THE CAMERAS STOPPED ROLLING. 26 00:01:11,337 --> 00:01:12,906 I MOVED OUT TO LOS ANGELES WITH MY KIDS 27 00:01:13,006 --> 00:01:15,107 AND TO BE CLOSER TO WORK AND MY DOCTORS. 28 00:01:15,208 --> 00:01:17,143 IT HELPS ME STAY ON TOP OF MY LUPUS, 29 00:01:17,243 --> 00:01:18,244 WHICH IS A GOOD THING. 30 00:01:18,344 --> 00:01:20,747 IT HELPS KEEP ME HEALTHY AND POSITIVE. 31 00:01:20,847 --> 00:01:23,583 THE SUCCESS OF THE FIRST SEASON HAS BEEN GREAT... 32 00:01:23,683 --> 00:01:24,918 BUT THE TRUTH BE TOLD, 33 00:01:25,018 --> 00:01:26,719 IT HASN'T ALWAYS BEEN WHAT WE EXPECTED. 34 00:01:26,820 --> 00:01:29,455 A LOT OF TENSION HAS ARISEN BETWEEN ME AND MY SISTERS 35 00:01:29,556 --> 00:01:31,357 BECAUSE OF NEWFOUND FAME. 36 00:01:32,959 --> 00:01:34,260 {\an8}IT'S BEEN A LITTLE OVERWHELMING 37 00:01:34,360 --> 00:01:36,729 {\an8}BEING A REALITY TV STAR. 38 00:01:36,830 --> 00:01:39,732 {\an8}DON'T GET ME WRONG-- I AM LOVING IT. 39 00:01:39,833 --> 00:01:41,200 I LOVE Y'ALL MUSIC. 40 00:01:41,301 --> 00:01:42,302 CAN I GET AN AUTOGRAPH? 41 00:01:42,402 --> 00:01:45,138 AND I CAN'T WAIT FOR THE MOMENTUM OF THE SHOW 42 00:01:45,238 --> 00:01:47,173 TO HELP ME WITH MY ACTING CAREER, 43 00:01:47,273 --> 00:01:49,475 WHICH MEANS, I CANNOT BE TONI BRAXTON'S ASSISTANT 44 00:01:49,576 --> 00:01:51,343 ANYMORE-- AND I'M LOVING THAT. 45 00:01:51,444 --> 00:01:52,611 I'M NOT LOVING THE FACT 46 00:01:52,712 --> 00:01:54,514 THAT ME, ANDRE AND MY CHILDREN 47 00:01:54,614 --> 00:01:56,983 ARE LIVING WITH TRINA AND GABE, 48 00:01:57,083 --> 00:02:00,386 WHICH IS OPENING UP A WHOLE NEW SET OF PROBLEMS 49 00:02:00,487 --> 00:02:02,322 FOR EVERYBODY. 50 00:02:03,690 --> 00:02:05,858 GABE IS NOT HAPPY WITH TOWANDA AND HER FAMILY 51 00:02:05,959 --> 00:02:07,193 HAVING TO LIVE WITH US. 52 00:02:07,293 --> 00:02:08,728 {\an8}AND HE'S ALSO ANGRY 53 00:02:08,828 --> 00:02:10,996 {\an8}THAT I'M SPENDING SO MUCH TIME WITH THE BAND. 54 00:02:11,097 --> 00:02:13,533 I'M REALLY BUSY WORKING ON MY OWN MATERIAL 55 00:02:13,633 --> 00:02:15,634 AND I'M TOTALLY DIGGING IT. 56 00:02:15,735 --> 00:02:17,403 YOU KNOW, WITH THE SUCCESS OF THE FIRST SEASON, 57 00:02:17,504 --> 00:02:19,004 I FIGURED I MIGHT AS WELL SEIZE THE OPPORTUNITY 58 00:02:19,105 --> 00:02:20,573 AND MAKE IT WORK FOR ME. 59 00:02:22,075 --> 00:02:23,509 {\an8}EVERYBODY'S DOIN' THEIR OWN PROJECT 60 00:02:23,610 --> 00:02:26,412 {\an8}AND THE BRAXTON FAMILY ALBUM IS STILL IN LIMBO. 61 00:02:26,513 --> 00:02:27,913 WE GONNA DO IT OR NOT? 62 00:02:28,014 --> 00:02:30,082 I MEAN, IT FEELS LIKE I'M THE ONLY ONE 63 00:02:30,183 --> 00:02:31,818 IS CONCERNED ABOUT THIS. 64 00:02:31,918 --> 00:02:33,385 JUST BECAUSE I LIVE IN MARYLAND 65 00:02:33,486 --> 00:02:34,586 AND I TAKE CARE OF MY CHILD... 66 00:02:34,687 --> 00:02:36,855 I WANT A SHOT JUST LIKE MY SISTERS. 67 00:02:36,956 --> 00:02:38,858 I HAVE TO FIGURE OUT MY CAREER PATH. 68 00:02:40,093 --> 00:02:44,029 {\an8}I WOULD REALLY LOVE TO SEE MY GIRLS SING TOGETHER AGAIN 69 00:02:44,130 --> 00:02:45,998 {\an8}BECAUSE THEY'RE JUST AWESOME. 70 00:02:46,099 --> 00:02:51,137 GOD PUT A RAINBOW IN THE SKY 71 00:02:51,237 --> 00:02:53,806 I'M VERY PROUD OF THEM BECAUSE OF THE SUCCESS 72 00:02:53,907 --> 00:02:55,541 OF LAST SEASON. 73 00:02:55,642 --> 00:02:59,611 HOWEVER, I DON'T WANT THE SUCCESS OF THE GIRLS 74 00:02:59,712 --> 00:03:02,981 TO INTERFERE WITH WHO THEY REALLY ARE. 75 00:03:03,082 --> 00:03:05,952 THEY HAVE TO REMEMBER THAT THEY'RE FAMILY. 76 00:03:06,052 --> 00:03:08,254 THERE'S NO ONE IN THIS FAMILY 77 00:03:08,354 --> 00:03:10,623 THAT'S JUST A SUPPORTING PLAYER. 78 00:03:10,723 --> 00:03:14,194 THIS CAN DIVIDE A FAMILY AND I'M NOT HAVING IT. 79 00:03:17,497 --> 00:03:21,167 {\an8}AND YOU KNOW THEY HAVE TO SAVE THE BEST FOR THE LAST. 80 00:03:21,267 --> 00:03:24,770 {\an8}VINCE HAS BEEN WORKING REALLY HARD WITH LADY GAGA. 81 00:03:24,871 --> 00:03:27,139 SO, I HAVE BEEN GOING INTO THE STUDIO ON MY OWN 82 00:03:27,240 --> 00:03:29,508 RECORDING MY OWN SONGS. 83 00:03:29,609 --> 00:03:31,143 MY SISTERS BEEN HATING ON ME A LITTLE BIT 84 00:03:31,244 --> 00:03:35,581 BUT IT'S REALLY NOT MY FAULT THAT EVERYBODY LOVES ME 85 00:03:35,682 --> 00:03:38,418 AND FIXING TO GO WORLDWIDE, BABY! 86 00:03:38,518 --> 00:03:41,520 WHAT'S UP, EVERYBODY? 87 00:03:41,621 --> 00:03:44,691 SHARING THE SPOTLIGHT IS NOT AN EASY THING TO DO. 88 00:03:44,791 --> 00:03:47,660 SO, WE'LL JUST HAVE TO SEE HOW THINGS GO THIS YEAR. 89 00:03:48,828 --> 00:03:51,731 WE ARE THE BRAXTONS AND YOU'LL SEE 90 00:03:51,831 --> 00:03:56,135 THAT WE ARE NOT LIKE AN ORDINARY FAMILY 91 00:03:56,236 --> 00:03:59,438 TRACI TOWANDA TRINA TAMAR AND MRS. E 92 00:03:59,539 --> 00:04:02,141 WILL TEACH YOU A THING OR TWO 93 00:04:02,242 --> 00:04:06,045 ON BRAXTON FAMILY VALUES 94 00:04:14,087 --> 00:04:15,988 {\an8}DOESN'T IT-- LOOK LIKE MIAMI VICE. 95 00:04:16,089 --> 00:04:19,659 {\an8}TONI MOVED TO LA-- HOWEVER, I SPEAK TO TONI 96 00:04:19,759 --> 00:04:21,293 {\an8}JUST ABOUT EVERYDAY. 97 00:04:21,394 --> 00:04:25,298 {\an8}UM, THE ONLY DIFFERENCE IS I JUST CAN'T SEE HER. 98 00:04:25,398 --> 00:04:27,166 {\an8}TRACI AND I ARE THE ONLY ONES 99 00:04:27,267 --> 00:04:29,735 {\an8}THAT HAVE NOT SEEN TONI'S NEW HOUSE. 100 00:04:29,836 --> 00:04:33,272 {\an8}SO, WE FLEW OUT TO LA TO CHECK IT OUT. 101 00:04:33,373 --> 00:04:35,040 {\an8}HIGH CEILINGS-- YOU GO GIRL! 102 00:04:35,141 --> 00:04:37,075 A LOTTA CLEANIN' TO DO WITH THEM WINDOWS. 103 00:04:37,176 --> 00:04:38,677 I LOVE MY HOME IN L.A., 104 00:04:38,778 --> 00:04:40,379 BUT IT'S A TEMPORARY SITUATION. 105 00:04:40,480 --> 00:04:42,147 I'M VERY FORTUNATE MY BANKRUPTCY SITUATION 106 00:04:42,248 --> 00:04:43,415 WORKED OUT REALLY GREAT FOR ME. 107 00:04:43,516 --> 00:04:44,484 SO, I'M STARTING OVER 108 00:04:44,584 --> 00:04:46,051 AND STARTING OVER CAN BE A GREAT THING. 109 00:04:46,152 --> 00:04:47,453 WAIT A MINUTE-- THESE CHAIRS. 110 00:04:47,553 --> 00:04:48,687 FROM THE KITCHEN IN ATLANTA. 111 00:04:48,788 --> 00:04:50,255 I JUST REUPHOLSTERED THEM. 112 00:04:50,356 --> 00:04:52,091 DON'T SPEND MONEY ON NEW FURNITURE 113 00:04:52,191 --> 00:04:53,492 JUST BUY NEW FABRICS. 114 00:04:53,593 --> 00:04:54,861 I'M NOT SURE IF I'M GONNA STAY IN THIS HOUSE 115 00:04:54,961 --> 00:04:56,128 OR IF I'M GONNA PURCHASE IT LATER 116 00:04:56,229 --> 00:04:57,596 BUT WE'LL SEE WHAT HAPPENS. 117 00:04:57,697 --> 00:04:59,998 AND YOU HAVE TO SEE OUTSIDE. 118 00:05:00,099 --> 00:05:01,634 I LOVE THE VIEW! 119 00:05:01,734 --> 00:05:04,136 I'M SO HAPPY. 120 00:05:04,237 --> 00:05:06,372 THIS LOOK LIKE A TONI BRAXTON HOUSE. 121 00:05:06,472 --> 00:05:08,407 IS THIS WHAT IT MEANS TO BE BANKRUPT? 122 00:05:08,508 --> 00:05:09,775 SIGN ME UP! 123 00:05:09,876 --> 00:05:13,946 DID YOU SEE THE SIZE OF THAT POOL? 124 00:05:14,047 --> 00:05:15,414 SO WHAT'S GOING ON? 125 00:05:15,515 --> 00:05:17,183 NOTHING IS GOING ON. 126 00:05:17,283 --> 00:05:18,517 I'M JUST GLAD YOU GUYS ARE HERE. 127 00:05:18,618 --> 00:05:19,652 SO NOW YOU HAVE AN EXCUSE 128 00:05:19,752 --> 00:05:21,387 TO COME VISIT ME AND TAMIE. 129 00:05:21,487 --> 00:05:22,488 RIGHT. 130 00:05:22,588 --> 00:05:24,189 I KNOW I'VE SAID THERE'S NOT A LOT GOING ON 131 00:05:24,290 --> 00:05:25,424 BUT I'VE JUST LEARNED SOME NEWS 132 00:05:25,525 --> 00:05:27,326 THAT'S GONNA MAKE TRACI A LITTLE UPSET, 133 00:05:27,427 --> 00:05:28,694 ESPECIALLY SINCE SHE'S SO EAGER 134 00:05:28,795 --> 00:05:31,530 TO GET THE BRAXTON FAMILY RECORD OFF THE GROUND. 135 00:05:31,631 --> 00:05:33,599 TAMAR, TALK TO YOU YET? - NO. 136 00:05:33,700 --> 00:05:37,470 BECAUSE TAMAR IS WORKING ON HER OWN PROJECT? 137 00:05:37,570 --> 00:05:38,571 BECAUSE I'M IN THE INDUSTRY, 138 00:05:38,671 --> 00:05:40,273 SO SOMEONE CALLED ME UP AND SAID, 139 00:05:40,373 --> 00:05:42,141 "OH, I HEARD YOUR SISTER TAMAR'S SINGLE IT'S NICE." 140 00:05:42,241 --> 00:05:43,308 I'M LIKE, "REALLY." 141 00:05:43,409 --> 00:05:45,811 IT'S KIND OF A BIG DEAL OF TAMAR TO DO HER ALBUM 142 00:05:45,912 --> 00:05:48,480 RIGHT NOW BECAUSE IT IMPACTS ON WHETHER 143 00:05:48,581 --> 00:05:50,983 WE DO OUR FAMILY ALBUM TOGETHER. 144 00:05:51,084 --> 00:05:52,384 OKAY, I'M SPEECHLESS. 145 00:05:52,485 --> 00:05:54,286 I MEAN, THE BRAXTON FAMILY PROJECT WE TALKED ABOUT THAT 146 00:05:54,387 --> 00:05:55,755 BUT I DON'T THINK THAT'S SOMETHIN' 147 00:05:55,855 --> 00:05:56,989 THAT'S GONNA BE IMPLEMENTED. 148 00:05:57,090 --> 00:05:58,023 TAMAR CAN'T DO HER ALBUM 149 00:05:58,124 --> 00:06:00,059 AND THE BRAXTON FAMILY ALBUM. 150 00:06:00,159 --> 00:06:01,927 SHE CAN'T DO BOTH AT THE SAME TIME. 151 00:06:02,028 --> 00:06:04,963 THAT'S A CONFLICT OF INTERESTS. 152 00:06:05,064 --> 00:06:06,766 AS AN ARTIST, YOU HAVE TO BE VERY CAREFUL 153 00:06:06,866 --> 00:06:08,534 NOT TO SPREAD YOURSELF TOO THIN. 154 00:06:08,634 --> 00:06:10,369 IT'S IMPORTANT THAT YOU DON'T CONFUSE YOUR AUDIENCE 155 00:06:10,470 --> 00:06:11,938 BY PUTTING OUT THREE AND FOUR DIFFERENT RECORDS-- 156 00:06:12,038 --> 00:06:13,272 THEY DON'T KNOW WHAT YOU ARE, WHAT YOU'RE DOING. 157 00:06:13,373 --> 00:06:15,541 THAT'S WHY I'M AMBIVALENT ABOUT PUTTING OUT 158 00:06:15,641 --> 00:06:17,009 A BRAXTON FAMILY RECORD. 159 00:06:17,110 --> 00:06:18,343 I GOT REPRIMANDED 160 00:06:18,444 --> 00:06:20,213 REMEMBER WHEN TAMAR AND I FIRST STARTED TALKING ABOUT 161 00:06:20,313 --> 00:06:23,115 WANTING TO DO-- LIKE, JUST BE FEATURED ON THE RECORD. 162 00:06:23,216 --> 00:06:24,516 SHE SAID, "NO, YOU HAVE TO DO ALL THE SONGS," 163 00:06:24,617 --> 00:06:25,618 AND I DIDN'T WANNA DO THAT. 164 00:06:25,718 --> 00:06:27,352 IF WE'RE GONNA DO A BRAXTONS ANYTHING, 165 00:06:27,453 --> 00:06:30,723 IT HAS TO BE THE FIVE OF US AT ALL TIMES. 166 00:06:30,823 --> 00:06:33,926 IF IT'S NOT FIVE OF US, I'M OUT. 167 00:06:34,026 --> 00:06:35,962 I DON'T THINK THE BRAXTON FAMILY RECORD 168 00:06:36,062 --> 00:06:39,031 IS THE FIRST THING ON MY LIST THEN. 169 00:06:39,132 --> 00:06:41,867 LOOKY, LOOKY... HERE'S A NEW COOKIE. 170 00:06:41,968 --> 00:06:44,970 TONI JUST THREW TAMAR UNDER THE BUS. 171 00:06:45,071 --> 00:06:47,139 I GOTTA FIND OUT IF WE DOIN' THIS OR NOT. 172 00:06:47,240 --> 00:06:49,408 YOU KNOW WHAT, I-I'M SORRY. 173 00:06:49,509 --> 00:06:51,543 EVERYBODY WAS TALKIN' ABOUT DOIN' THE ALBUM... 174 00:06:51,644 --> 00:06:53,746 AND THEN AT THE SAME TIME, YOU'RE DOIN' THIS 175 00:06:53,846 --> 00:06:55,247 AND NO ONE KNOWS ABOUT IT? 176 00:06:55,348 --> 00:06:57,216 NO... IT'S JUST COMMUNICATION. 177 00:06:57,316 --> 00:06:59,085 THAT'S ALL IT IS-- JUST COMMON RESPECT. 178 00:06:59,185 --> 00:07:00,252 LET'S KEEP IT REAL. 179 00:07:00,353 --> 00:07:01,387 DO THE ALBUM... 180 00:07:01,487 --> 00:07:03,121 DON'T DO THE ALBUM... 181 00:07:03,222 --> 00:07:06,358 WHATEVER DECISION YOU MAKE IS FINE WITH ME 182 00:07:06,459 --> 00:07:08,527 BUT FOR GOD SAKES JUST MAKE UP YOUR MIND. 183 00:07:08,628 --> 00:07:09,928 BE HONEST ABOUT IT. 184 00:07:10,029 --> 00:07:12,231 LET'S SEE IF TAMAR MENTIONS IT TO US FIRST. 185 00:07:12,331 --> 00:07:13,999 PERHAPS, SHE'LL TELL US ABOUT IT 186 00:07:14,100 --> 00:07:15,100 AND WE WON'T HAVE TO ASK HER. 187 00:07:15,201 --> 00:07:16,869 SO, LET'S SEE-- MAYBE, NO. 188 00:07:16,969 --> 00:07:19,038 - WE'LL SEE. - BUT IF SHE DOES NOT... 189 00:07:19,138 --> 00:07:20,940 IF SHE DOESN'T, I'M GONNA ASK HER. 190 00:07:21,040 --> 00:07:24,377 IF SHE DOESN'T, I'M GONNA GET HOOD RAT ON THAT ASS. 191 00:07:34,153 --> 00:07:36,288 {\an8}LAST SEASON WAS GREAT FOR ME AND MY SISTERS. 192 00:07:36,389 --> 00:07:39,291 {\an8}AND NOW, VINCE IS GETTING A BUNCH OF CALLS FROM EVERYBODY 193 00:07:39,392 --> 00:07:43,528 {\an8}TRYING TO WORK WITH WHO-- WHO-- SHE-- ME! 194 00:07:43,629 --> 00:07:46,599 OF COURSE, BECAUSE I AM FABULOUS, DARLING! 195 00:07:46,699 --> 00:07:48,267 LIKE, WHAT WAS YOU TALKIN' ABOUT? 196 00:07:48,367 --> 00:07:50,035 LIKE, I HEARD MY NAME LIKE 13 TIMES. 197 00:07:50,136 --> 00:07:52,238 NOT THIRTEEN-- MAYBE TEN. 198 00:07:52,338 --> 00:07:54,406 NO, I WAS TALKIN' ABOUT YOUR RECORD DEAL 199 00:07:54,507 --> 00:07:57,309 AND PEOPLE WANNA WORK WITH YOU TO DO SOME MOVIE STUFF 200 00:07:57,410 --> 00:08:00,946 AND THEN PEOPLE CALLED ABOUT DOING A MERCHANDISING DEAL. 201 00:08:01,047 --> 00:08:01,947 RIGHT. 202 00:08:02,048 --> 00:08:03,515 SO, YOU GOT A LOT OF THINGS GOING ON. 203 00:08:03,616 --> 00:08:04,516 YOU EXCITED ABOUT IT? 204 00:08:04,617 --> 00:08:06,719 - I'M VERY EXCITED. - I'M HAPPY FOR YOU. 205 00:08:06,819 --> 00:08:08,788 I'M HAPPY FOR YOUR WHOLE FAMILY. 206 00:08:08,888 --> 00:08:11,557 {\an8}THE FIRST SEASON OF BRAXTON FAMILY VALUES 207 00:08:11,657 --> 00:08:15,360 {\an8}HAS AFFECTED MY WIFE CAREER IN A POSITIVE WAY. 208 00:08:15,461 --> 00:08:16,528 THIS IS WHAT SHE WANTS. 209 00:08:16,629 --> 00:08:18,197 SHE WANTS TO BE AN ARTIST. 210 00:08:18,297 --> 00:08:19,599 SHE WANTS TO BE A STAR. 211 00:08:19,699 --> 00:08:21,333 I DON'T KNOW WHAT ALL OF THAT IS. 212 00:08:21,434 --> 00:08:22,334 WHAT? 213 00:08:22,435 --> 00:08:23,335 THAT YOU'RE TRYIN' TO GIVE ME 214 00:08:23,436 --> 00:08:24,336 BUT IT'S NOT NECESSARY. 215 00:08:24,437 --> 00:08:25,338 I'M GIVING YOU LIFE. 216 00:08:25,438 --> 00:08:26,338 AND I'M GIVING YOU THE SAME THING 217 00:08:26,439 --> 00:08:27,373 I'VE BEEN GIVING YOU FOR YEARS. 218 00:08:27,473 --> 00:08:28,707 - NO, YOU HAVEN'T BEEN-- - AND EVERYBODY ELSE 219 00:08:28,808 --> 00:08:29,808 WHO WANTS TO WORK WITH ME NOW 220 00:08:29,909 --> 00:08:31,711 HAS JUST FINALLY JUMPED ON THE SHIP. 221 00:08:31,811 --> 00:08:33,345 HOW ABOUT YOU JUST BE GRATEFUL? 222 00:08:33,446 --> 00:08:35,180 I'M GRATEFUL. 223 00:08:35,281 --> 00:08:37,216 PEOPLE WASN'T CALLING YOU TWO YEARS AGO, TAMAR. 224 00:08:37,316 --> 00:08:39,518 - I KNOW. - IT'S ALL A BLESSING. 225 00:08:39,619 --> 00:08:41,854 - I-I REALIZE THAT. - OKAY. 226 00:08:41,954 --> 00:08:43,789 I'M SO GLAD ALL OF THESE OPPORTUNITIES 227 00:08:43,890 --> 00:08:47,526 ARE HAPPENING RIGHT NOW-- ACTING, PRODUCT ENDORSEMENTS. 228 00:08:47,627 --> 00:08:49,561 EVERYBODY WANTIN' ME TO BE BOOM-BOOM-POW-- 229 00:08:49,662 --> 00:08:50,963 COME TO MY PARTY AND ALL THAT STUFF! 230 00:08:51,063 --> 00:08:52,631 AND ALL THAT IS G-G-GREAT. 231 00:08:52,732 --> 00:08:54,900 I STILL HELP MY SISTERS OUT AS MUCH AS I CAN. 232 00:08:55,001 --> 00:08:58,069 BUT RIGHT NOW, IT IS MY TIME. 233 00:08:58,170 --> 00:08:59,071 I HAVE SIGNED MY CONTRACT 234 00:08:59,171 --> 00:09:01,240 AND I AM READY TO RECORD MY RECORD 235 00:09:01,340 --> 00:09:03,776 AND THAT IS THE NUMBER ONE PRIORITY IN MY LIFE. 236 00:09:03,876 --> 00:09:05,277 YOU SHOULD HUG ME AND SAY, "YOU KNOW WHAT SWEETHEART, 237 00:09:05,378 --> 00:09:07,913 "THANK YOU FOR WORKING HARD WITH ME AND MY FAMILY. 238 00:09:08,014 --> 00:09:09,248 "I REALLY APPRECIATE YOU." 239 00:09:09,348 --> 00:09:10,816 - OKAY-- THANK YOU. - I DIDN'T ASK YOU FOR ALL THAT. 240 00:09:10,917 --> 00:09:12,018 I DON'T NEED ALL OF THAT. 241 00:09:12,118 --> 00:09:15,054 THANK YOU FOR WORKING SO HARD FOR ME AND MY FAMILY 242 00:09:15,154 --> 00:09:16,355 I DON'T NEED ALL THAT. 243 00:09:16,455 --> 00:09:17,623 I'M NOT GIVING YOU A DOLLAR, RIGHT NOW. 244 00:09:17,723 --> 00:09:19,125 PEP-PEOPLE GONNA KNOW YOU AS A GYRATOR. 245 00:09:19,225 --> 00:09:20,392 PEOPLE ARE GONNA THINK YOU A STRIPPER. 246 00:09:20,493 --> 00:09:21,727 I'M NOT A STRIPPER-- GET YOUR LIFE. 247 00:09:21,827 --> 00:09:24,196 WELL, YOU NEED TO STOP DOIN' ALL THAT. 248 00:09:24,297 --> 00:09:26,065 THAT'S ALL YOU GOTTA DO IS HUG PEOPLE AND ACT NORMAL. 249 00:09:26,165 --> 00:09:27,700 - THANK YOU, BABY. - YOU'RE WELCOME. 250 00:09:27,800 --> 00:09:29,502 THANK GOD THOUGH AND CALL YOUR MOTHER 251 00:09:29,602 --> 00:09:31,603 AND TELL HER WHEN'S SHE COMIN' TO MAKE US SOME BAKED CHICKEN. 252 00:09:31,704 --> 00:09:32,771 WOULD YOU STOP? 253 00:09:32,872 --> 00:09:34,239 EVERYTHING AIN'T CHICKEN. 254 00:09:34,340 --> 00:09:35,841 CHICKEN-CHICKEN-CHICK! 255 00:09:35,942 --> 00:09:37,642 BAWK-BAWK! 256 00:09:37,743 --> 00:09:39,579 GET IT TOGETHER! 257 00:09:46,719 --> 00:09:48,253 {\an8}DON'T BE TOUCHIN' STUFF. 258 00:09:48,354 --> 00:09:49,789 {\an8}YOU GOTTA SHAKE IT UP. 259 00:09:49,889 --> 00:09:50,789 YOU GOTTA SHAKE IT! 260 00:09:50,890 --> 00:09:51,790 YOU GOTTA SHAKE IT UP REALLY-REALLY-- 261 00:09:51,891 --> 00:09:53,225 THERE YA GO-- YOU GOTTA SHAKE IT UP. 262 00:09:53,326 --> 00:09:57,029 RIGHT NOW, MY LIVING SITUATION IS A BIT STICKY. 263 00:09:57,129 --> 00:10:00,800 I WAS LIVING WITH TONI AND TONI HAS MOVED OUT TO L.A. 264 00:10:00,900 --> 00:10:02,901 AND TRINA AND GABE SAID, "OKAY, TOWANDA, 265 00:10:03,002 --> 00:10:05,003 "WHY DON'T YOU GUYS COME MOVE IN WITH US." 266 00:10:05,104 --> 00:10:08,473 SO, THAT'S WHAT I DID AND THEY'VE BEEN A LIFESAVER. 267 00:10:08,574 --> 00:10:10,309 GO IN THAT TOP DRAWER RIGHT THERE AND GET A NAPKIN. 268 00:10:10,409 --> 00:10:12,844 NO-- GET IN THAT DRAWER RIGHT THERE AND GET A NAPKIN. 269 00:10:12,945 --> 00:10:15,180 RIGHT THERE-- THE DRAWER, NOT THE CABINET-- NUT. 270 00:10:15,281 --> 00:10:16,281 YOU'RE THE NUT. 271 00:10:16,382 --> 00:10:17,282 TOWANDA AND ANDRE AND THEIR KIDS 272 00:10:17,383 --> 00:10:18,317 HAVE BEEN LIVIN' IN OUR HOUSE 273 00:10:18,417 --> 00:10:19,785 FOR OVER A MONTH NOW. 274 00:10:19,885 --> 00:10:22,654 {\an8}TRINA DID OFFER TO LET THEM LIVE IN OUR HOUSE 275 00:10:22,755 --> 00:10:24,990 {\an8}BUT I DIDN'T KNOW IT WAS GONNA BE THIS LONG. 276 00:10:25,091 --> 00:10:27,592 I WORK FROM HOME. 277 00:10:27,693 --> 00:10:29,361 YOU KNOW, I HEAR EVERYTHING. 278 00:10:29,462 --> 00:10:33,198 THESE WALLS AREN'T STUDIO PROOF, YOU KNOW. 279 00:10:33,299 --> 00:10:36,368 BRAXTON AND BROOKE, CAN YOU GO UPSTAIRS. 280 00:10:36,469 --> 00:10:38,838 I HAVE AN AUDITION TOMORROW. 281 00:10:38,938 --> 00:10:40,639 ANDRE AND I ARE OFFICIALLY SEPARATED, 282 00:10:40,740 --> 00:10:42,774 BUT I DID AGREE TO ALLOW HIM LIVE WITH US, 283 00:10:42,875 --> 00:10:44,476 SO THAT WE CAN BOTH TAKE CARE OF OUR KIDS 284 00:10:44,577 --> 00:10:45,978 AND HE CAN WORK ON HIS BOOK 285 00:10:46,078 --> 00:10:47,812 AND I CAN WORK ON MY CAREER AS AN ACTOR. 286 00:10:47,913 --> 00:10:49,681 OH, THIS GONNA BE GOOD! 287 00:10:49,782 --> 00:10:51,250 HOW DO YOU THINK A WOMAN WOULD SAY THIS-- 288 00:10:51,350 --> 00:10:53,919 "JUST GET THE OUT" OR "YOU GET THE OUT." 289 00:10:54,020 --> 00:10:55,187 YOU. 290 00:10:55,287 --> 00:10:56,622 - YOU GET THE OUT. - YES. 291 00:10:56,722 --> 00:10:58,457 ANDRE AND TOWANDA HAVEN'T CONTRIBUTED AT ALL 292 00:10:58,557 --> 00:10:59,491 TO THE BILLS. 293 00:10:59,592 --> 00:11:00,626 THEY'VE NEVER REALLY GIVEN US ANYTHING 294 00:11:00,726 --> 00:11:03,862 FOR THE ELECTRIC BILL OR THE WATER BILL 295 00:11:03,963 --> 00:11:06,431 OR THE GAS BILL OR RENT. 296 00:11:06,532 --> 00:11:08,367 I FEEL LIKE I'M THE ONLY ONE PULLIN' WEIGHT. 297 00:11:08,467 --> 00:11:09,668 WHERE'S THE CEREAL AT, TOWANDA? 298 00:11:09,769 --> 00:11:11,536 RIGHT THERE-- WHERE IT SAYS "CEREAL." 299 00:11:11,637 --> 00:11:12,938 - RIGHT HERE? - YES. 300 00:11:13,039 --> 00:11:13,939 I DON'T LIKE THIS KIND. 301 00:11:14,040 --> 00:11:15,907 MAN, Y'ALL GOT SOME MILK? 302 00:11:16,008 --> 00:11:17,242 - SOME MILK? - YEAH. 303 00:11:17,343 --> 00:11:18,711 WHO DO YOU THINK PAID FOR THE MILK? 304 00:11:18,811 --> 00:11:20,412 UH, I THINK IT'S IN THE FRIDGE. 305 00:11:20,513 --> 00:11:21,413 ANDRE, LOOK FOR IT BEFORE YOU ASK. 306 00:11:21,514 --> 00:11:23,415 I'LL PUT SOME CHOCOLATE. 307 00:11:23,516 --> 00:11:24,583 CHOCOLATE MILK IN THE CEREAL? 308 00:11:24,684 --> 00:11:26,018 YEAH, MAN-- WE CAN TRY THIS OUT. 309 00:11:26,118 --> 00:11:27,520 MIGHT BE GOOD, HUH? 310 00:11:27,620 --> 00:11:29,921 {\an8}I REALLY APPRECIATE GABE AND TRINA ALLOWING MY FAMILY 311 00:11:30,022 --> 00:11:32,157 {\an8}TO STAY IN THE HOUSE, YOU KNOW, BUT I'M A PROUD MAN. 312 00:11:32,258 --> 00:11:33,859 {\an8}I MEAN, I DO HAVE PRIDE FOR MYSELF 313 00:11:33,959 --> 00:11:36,194 {\an8}AND I DO WANNA GET OUTTA THERE 314 00:11:36,295 --> 00:11:38,397 {\an8}BUT, HEY, IT HELPS THAT WE LIKE THE SAME FOOD. 315 00:11:38,497 --> 00:11:40,599 MAN, YOU GOT THAT DICTIONARY I CAN BORROW RIGHT QUICK? 316 00:11:40,700 --> 00:11:42,067 YEAH, MAN, HOLD ON. 317 00:11:42,168 --> 00:11:43,201 I'M A LITTLE BUSY RIGHT NOW. 318 00:11:43,302 --> 00:11:44,503 OH, MY BAD-- I'M SORRY. 319 00:11:44,603 --> 00:11:46,204 I FEEL LIKE, "OH, HERE THEY ARE, ALL LOLLYGAGGING AROUND 320 00:11:46,305 --> 00:11:48,574 "AND I'M HERE MAKIN' THE MONEY TO PAY ALL THE BILLS." 321 00:11:48,674 --> 00:11:52,010 I FEEL LIKE I'M SUPPORTIN' EIGHT PEOPLE RATHER THAN FOUR. 322 00:11:52,111 --> 00:11:54,013 - WHAT'S UP WITH HIM, MAN? - I DON'T KNOW. 323 00:11:54,113 --> 00:11:55,714 YOU HAVE TO ASK HIM. 324 00:11:55,815 --> 00:11:57,449 I DO PLAN ON HAVING A CONVERSATION WITH TRINA 325 00:11:57,550 --> 00:11:59,185 ABOUT THEM MOVING OUT OF THE HOUSE 326 00:11:59,285 --> 00:12:02,755 AND GIVING THEM A DEADLINE ON WHEN THEY SHOULD BE OUT. 327 00:12:05,591 --> 00:12:07,626 YES, BROOKE. 328 00:12:07,727 --> 00:12:09,628 COMING UP, ON "BRAXTON FAMILY VALUES." 329 00:12:09,729 --> 00:12:12,631 ANDRE AND TOWANDA HAVE OVERSTEPPED THEIR BOUNDARIES. 330 00:12:12,732 --> 00:12:15,033 WE NEED TO GIVE 'EM A TIMELINE. 331 00:12:15,134 --> 00:12:16,701 BUT I'M NOT DOIN' IT. 332 00:12:16,802 --> 00:12:18,504 I SAID TIME AND TIME AGAIN... 333 00:12:18,604 --> 00:12:20,605 I'M OUT HERE SINGING DOO-WOP-POP-POP 334 00:12:20,706 --> 00:12:22,341 WITH TONI BRAXTON. 335 00:12:22,441 --> 00:12:24,443 WHY YOU MAD? 336 00:12:36,222 --> 00:12:39,257 DAMN... WHY ARE THEY SO LOUD-- ! 337 00:12:39,358 --> 00:12:41,827 BRAXTON, BROOKE, THIS ISN'T OUR HOUSE. 338 00:12:41,927 --> 00:12:43,562 I LOVE IT. 339 00:12:43,662 --> 00:12:45,096 WHAT ARE THEY DOIN'? 340 00:12:45,197 --> 00:12:46,598 TOWANDA AND ANDRE AND THEY'RE KIDS 341 00:12:46,699 --> 00:12:48,567 HAVE BEEN LIVIN' IN THE HOUSE FOR OVER A MONTH. 342 00:12:48,667 --> 00:12:50,468 {\an8}I CAN'T CONCENTRATE WHILE I'M WORKING 343 00:12:50,569 --> 00:12:53,372 {\an8}AND ON TOP OF IT ALL, SOMEONE DRANK ALL MY CHOCOLATE MILK. 344 00:12:53,472 --> 00:12:56,107 HEY, GET OUT OF THERE. 345 00:12:56,208 --> 00:12:57,809 WHAT ARE YA'LL DOIN' IN THERE? 346 00:12:57,910 --> 00:12:59,378 I'M JUST-- I'M PLAYIN' WITH THE KIDS. 347 00:12:59,478 --> 00:13:00,913 THIS IS WHAT WE DO. 348 00:13:01,013 --> 00:13:02,781 GEEZ... THEY'RE SO FREAKIN' LOUD. 349 00:13:02,882 --> 00:13:04,649 I NEED TO HAVE A TALK WITH TRINA. 350 00:13:04,750 --> 00:13:06,351 AND I NEED TO BE STERN WITH HER, 351 00:13:06,452 --> 00:13:08,219 SO SHE CAN HAVE A TALK WITH TOWANDA 352 00:13:08,320 --> 00:13:10,956 SINCE SHE'S ONE THAT DECIDED THEY WOULD STAY AT THE HOUSE. 353 00:13:21,433 --> 00:13:23,602 GO CRAZY! 354 00:13:23,702 --> 00:13:24,669 ALL RIGHT. 355 00:13:24,770 --> 00:13:25,770 LET'S DO IT AGAIN FROM THE TOP. 356 00:13:25,871 --> 00:13:28,240 LET'S DO IT AGAIN FROM THE TOP. 357 00:13:28,340 --> 00:13:30,109 THE FIRST SEASON'S CHANGED MY LIFE 358 00:13:30,209 --> 00:13:32,377 IN THE SENSE THAT I DECIDED I'M JUST GONNA DO 359 00:13:32,478 --> 00:13:34,913 A SOLO PROJECT FOR MYSELF. 360 00:13:35,014 --> 00:13:36,915 {\an8}WE'RE NO LONGER JUST DOING COVER SONGS. 361 00:13:37,016 --> 00:13:39,985 {\an8}WE ARE NOW DOING ORIGINAL MUSIC-- MY MUSIC. 362 00:13:40,085 --> 00:13:42,254 AND WE'RE GONNA BE PERFORMING THEM REALLY SOON-- 363 00:13:42,354 --> 00:13:45,824 MAYBE IN THE NEXT MONTH OR SO. 364 00:13:45,925 --> 00:13:49,461 AND TO BE HONEST, THE BAND IS A NICE BREAK FROM GABE, 365 00:13:49,562 --> 00:13:51,730 BECAUSE WE HAVEN'T BEEN DOING TOO WELL LATELY. 366 00:13:51,831 --> 00:13:54,432 GABE AND I... WE'VE HAD AN UP AND DOWN MARRIAGE 367 00:13:54,533 --> 00:13:56,535 FOR THE PAST SEVERAL YEARS. 368 00:13:56,635 --> 00:13:58,570 I MEAN, HE'S ADMITTED TO HAVING AN AFFAIR ON ME, 369 00:13:58,671 --> 00:14:01,640 AND THAT'S PUT A WET TOWEL ON OUR RELATIONSHIP. 370 00:14:01,740 --> 00:14:03,141 BOYS GO TO BED-- YOU GET LONELY. 371 00:14:03,242 --> 00:14:05,376 DID YOU SEEK OUTSIDE THE MARRIAGE? 372 00:14:05,477 --> 00:14:09,448 UM... 373 00:14:09,548 --> 00:14:11,917 FOR US TO BE MARRIED FOR SEVEN YEARS... 374 00:14:12,017 --> 00:14:13,452 YOU CHEAT ON ME FOR FIVE OF THEM. 375 00:14:13,552 --> 00:14:14,886 THAT MAKES HIM A WHORE. 376 00:14:14,987 --> 00:14:18,190 EVERYDAY HAS BEEN A BATTLE. 377 00:14:18,290 --> 00:14:19,658 DO YA'LL KNOW WHERE TRINA'S AT? 378 00:14:19,758 --> 00:14:21,059 YEAH, I THINK SHE'S IN THE BACK. 379 00:14:21,160 --> 00:14:22,595 OKAY. 380 00:14:28,133 --> 00:14:29,101 - YEAH. - CAN'T WAIT TO LEARN IT. 381 00:14:29,201 --> 00:14:30,569 YEAH, THAT'S COMING TOGETHER. 382 00:14:33,939 --> 00:14:36,742 {\an8}I THINK THE BAND-- I DON'T LIKE ALL OF THEM. 383 00:14:36,842 --> 00:14:40,412 {\an8}I DON'T TRUST THEM, BECAUSE THEIR LOYALTY IS TO TRINA, 384 00:14:40,512 --> 00:14:42,114 {\an8}NOT TO ME. 385 00:14:44,550 --> 00:14:45,651 I'M SORRY. 386 00:14:45,751 --> 00:14:46,785 WHAT THE HELL IS GABE DOING 387 00:14:46,886 --> 00:14:48,486 IN THE MIDDLE OF MY REHEARSAL? 388 00:14:48,587 --> 00:14:50,789 I'LL BE RIGHT BACK-- I'LL BE RIGHT BACK. 389 00:14:50,890 --> 00:14:52,557 I HAVE AN ISSUE THAT I WANNA TALK ABOUT. 390 00:14:52,658 --> 00:14:53,926 WHAT DO YOU WANNA TALK ABOUT? 391 00:14:54,026 --> 00:14:56,194 - ABOUT TOWANDA AND ANDRE. - WANNA TALK ABOUT THAT NOW? 392 00:14:56,295 --> 00:14:57,596 I DON'T THINK THAT THE ONLY REASON 393 00:14:57,696 --> 00:14:59,298 GABE CAME TO THE REHEARSAL HALL 394 00:14:59,398 --> 00:15:01,733 WAS TO TALK TO ME ABOUT ANDRE AND TOWANDA. 395 00:15:01,834 --> 00:15:04,336 GABE CAME TO CHECK UP ON ME 396 00:15:04,436 --> 00:15:06,805 BECAUSE HE HAS TRUST ISSUES. 397 00:15:06,906 --> 00:15:09,875 THERE ARE CERTAIN MEMBERS OF THE BAND THAT I'M VERY CLOSE TO, 398 00:15:09,975 --> 00:15:12,211 AND THAT MAKES HIM UNCOMFORTABLE. 399 00:15:12,311 --> 00:15:14,780 THIS IS ALL BECAUSE YOU DON'T RESPECT WHAT I DO. 400 00:15:14,880 --> 00:15:16,247 YOU DON'T RESPECT WHAT I DO. - YES, I DO. 401 00:15:16,348 --> 00:15:17,716 'CAUSE IF YOU RESPECTED WHAT I DID 402 00:15:17,816 --> 00:15:21,253 YOU WOULD NOT COME IN HERE AND INTERRUPT REHEARSAL. 403 00:15:21,353 --> 00:15:22,554 NOW YOU ABOUT TO MESS UP MY MOJO 404 00:15:22,655 --> 00:15:24,857 AND I CAN'T GO IN THERE AND DANCE PROPERLY. 405 00:15:24,957 --> 00:15:25,991 IS THIS ABOUT TOWANDA AND ANDRE, 406 00:15:26,091 --> 00:15:28,493 OR IS THIS BECAUSE YOU DON'T TRUST ME? 407 00:15:28,594 --> 00:15:30,962 THE BAND HAS TAKEN A LOT OUT OF US. 408 00:15:31,063 --> 00:15:32,898 TRINA IS WITH THE BAND A LOT. 409 00:15:32,998 --> 00:15:36,334 THE BAND ALMOST SEEM LIKE TO ME 410 00:15:36,435 --> 00:15:39,738 LIKE IT WAS COMPETING WITH OUR FAMILY. 411 00:15:39,838 --> 00:15:41,439 I THINK YOU CAME DOWN HERE BECAUSE YOU DON'T TRUST ME 412 00:15:41,540 --> 00:15:43,108 WITH THIS WHOLE BAND SITUATION. 413 00:15:43,208 --> 00:15:44,943 SO, WE CAN DISCUSS TOWANDA AND ANDRE 414 00:15:45,044 --> 00:15:46,545 WHEN WE GET TO THE HOUSE. 415 00:15:46,645 --> 00:15:48,880 AND GUESS WHAT, I'M GOING BACK TO WORK. 416 00:15:48,981 --> 00:15:50,248 OKAY. 417 00:15:50,349 --> 00:15:51,984 CAN I WATCH YOU SING? - NO. 418 00:15:52,084 --> 00:15:53,652 YOU CAN GO HOME. 419 00:16:08,434 --> 00:16:10,302 HELLO? 420 00:16:10,402 --> 00:16:12,070 {\an8}OKAY, SO I'M COMING OVER TO TONI'S HOUSE 421 00:16:12,171 --> 00:16:13,805 {\an8}AND I AS I'M PULLING UP, 422 00:16:13,906 --> 00:16:18,243 {\an8}I SEE HER EX-HUSBAND, KERI CAR LEAVING THE DRIVEWAY. 423 00:16:18,344 --> 00:16:20,512 {\an8}I MEAN, AIN'T NO REASON FOR HIM TO COME OVER THERE. 424 00:16:20,612 --> 00:16:21,947 AIN'T NO REASON TO COME OVER THERE 425 00:16:22,047 --> 00:16:23,848 BUT TO KNOCK SOME BOOTS. 426 00:16:23,949 --> 00:16:24,849 TONI! 427 00:16:24,950 --> 00:16:26,685 I'M IN THE BATHROOM-- I'M COMIN'. 428 00:16:26,785 --> 00:16:29,787 WHERE IS TONI 429 00:16:29,888 --> 00:16:32,858 PROBABLY IN THE SHOWER 430 00:16:32,958 --> 00:16:35,293 'CAUSE SHE AND KERI 431 00:16:35,394 --> 00:16:38,096 HAVE PROBABLY JUST FINISHED 432 00:16:38,197 --> 00:16:41,667 BUMPIN' AND GRINDIN' 433 00:16:45,104 --> 00:16:47,572 - WHAT ARE YOU DOIN'? - YEAH! 434 00:16:47,673 --> 00:16:49,040 GIRL, I WROTE A SONG JUST FOR YOU. 435 00:16:49,141 --> 00:16:50,542 COME OVER HERE-- I'M GONNA TEACH YOU. 436 00:16:53,412 --> 00:16:56,181 TONI 437 00:16:56,281 --> 00:16:57,682 I'M NOT LISTENING TO THIS. 438 00:16:57,783 --> 00:17:00,352 IS HIDING 439 00:17:00,452 --> 00:17:04,256 'CAUSE I SAW KERI LEAVIN' 440 00:17:04,356 --> 00:17:08,894 AND YA'LL IS BUMPIN' AND GRINDIN'. 441 00:17:08,994 --> 00:17:10,996 I'M NOT LISTENIN' TO YOU, TAMAR. 442 00:17:11,096 --> 00:17:13,264 {\an8}THAT'S WHY I DON'T WANT TAMAR IN MY BUSINESS. 443 00:17:13,365 --> 00:17:15,534 {\an8}SHE METTLES WAY TOO MUCH. 444 00:17:15,634 --> 00:17:17,135 {\an8}I DON'T KNOW WHAT YOU TALKIN' ABOUT. 445 00:17:19,038 --> 00:17:21,072 SHUT UP! 446 00:17:21,173 --> 00:17:22,908 GIRL... - UGH! 447 00:17:23,008 --> 00:17:25,310 OKAY, KERI WAS HERE. - AND WHAT HAPPENED? 448 00:17:25,411 --> 00:17:27,145 HE JUST CAME BY TO DROP OFF SOME STUFF. 449 00:17:27,246 --> 00:17:28,146 WHAT? 450 00:17:30,182 --> 00:17:32,083 I KNOW THAT'S RIGHT. 451 00:17:32,184 --> 00:17:33,852 I KNEW IT-- I KNOW'D IT. 452 00:17:33,952 --> 00:17:35,454 YES, I DID. 453 00:17:35,554 --> 00:17:36,888 I MEAN, YOU CAN'T REALLY HIDE THAT MUCH 454 00:17:36,989 --> 00:17:38,189 FROM DETECTIVE TAMAR. 455 00:17:38,290 --> 00:17:39,391 WE HAVE CHILDREN TOGETHER. 456 00:17:39,491 --> 00:17:40,959 WE HAVE TO HAVE MEETINGS AND TALK ABOUT THINGS, RIGHT? 457 00:17:41,060 --> 00:17:42,360 NO, USUALLY PEOPLE WITH BABY DADDY'S 458 00:17:42,461 --> 00:17:44,162 HAVE MEETINGS WITH THE BABIES. 459 00:17:44,263 --> 00:17:45,897 - NO. - YOUR KIDS IS OUT OF TOWN. 460 00:17:45,998 --> 00:17:48,467 THAT IS CALLED A "DATE" WITH YOUR BABY DADDY. 461 00:17:48,567 --> 00:17:50,702 - WE JUST HAD A MEETING. - WHERE YOUR BOOTS AT? 462 00:17:50,803 --> 00:17:52,538 {\an8}HE KNOCKED 'EM OFF. 463 00:17:55,507 --> 00:17:58,976 KERI'S AND I RELATIONSHIP HAS... WHOO-- COME FULL CIRCLE. 464 00:17:59,078 --> 00:18:02,314 UH, IN 2009, WE SEPARATED. 465 00:18:02,414 --> 00:18:04,282 AND THEN IN 2010, WE FILED FOR DIVORCE. 466 00:18:04,383 --> 00:18:06,084 BUT WE'RE STILL GREAT FRIENDS 467 00:18:06,185 --> 00:18:08,020 BECAUSE WE HAVE KIDS TOGETHER, 468 00:18:08,120 --> 00:18:09,688 AND ONCE THE KIDS AND I MOVED OUT HERE, 469 00:18:09,788 --> 00:18:12,390 THEN KERI AND I STARTED DATING AND HERE WE ARE. 470 00:18:12,491 --> 00:18:14,592 WE'VE BEEN OUT ON A FEW DATES. 471 00:18:14,693 --> 00:18:16,060 OH, SO, YA'LL ARE KICKIN' IT? 472 00:18:16,161 --> 00:18:18,630 OKAY, WE ARE DATING A LITTLE TEENY BIT. 473 00:18:18,730 --> 00:18:20,732 I THINK THAT'S GREAT. 474 00:18:20,833 --> 00:18:23,035 I'M GLAD SOMEBODY'S CRACKIN' YOUR BACK, GIRL. 475 00:18:23,135 --> 00:18:24,436 - WHAT? - GLAD. 476 00:18:24,536 --> 00:18:26,171 TAMAR, DON'T SAY THAT. 477 00:18:26,271 --> 00:18:27,372 COME ON-- COME SING MY SONG. 478 00:18:27,473 --> 00:18:28,606 I'M NOT GONNA SING YOUR SONG. 479 00:18:28,707 --> 00:18:33,078 TONI'S GETTING BACK WITH HER BABY'S... 480 00:18:33,178 --> 00:18:34,646 BYE! 481 00:18:34,746 --> 00:18:36,415 - TONI, COME BACK! - I'M NOT! 482 00:18:46,592 --> 00:18:49,728 I AM SO PISSED OFF AT GABE FOR BUSTING INTO MY REHEARSAL. 483 00:18:49,828 --> 00:18:51,929 I'M JUST GLAD THAT I HAVE MY SISTER, 484 00:18:52,030 --> 00:18:55,533 SO I'LL HAVE SOMEONE PLEASANT TO TALK TO WHEN I GET HOME. 485 00:18:55,634 --> 00:18:57,969 - HEY, GUYS. - HEY, TRINI. 486 00:18:58,070 --> 00:18:59,471 BOY, YOU REALLY SEEM TALL TODAY. 487 00:18:59,571 --> 00:19:00,672 IT'S MY SHOES. 488 00:19:00,772 --> 00:19:02,240 AREN'T THEY CUTE, THOUGH? - THEY'RE ADORABLE. 489 00:19:02,341 --> 00:19:03,475 THANKS-- I LIKE 'EM. 490 00:19:03,575 --> 00:19:05,911 DO YOU NORMALLY CREATE THE TIP MESSAGES 491 00:19:06,011 --> 00:19:09,080 OR DO YOU HAND THAT OVER TO EDWARD? 492 00:19:09,181 --> 00:19:12,284 IT'S BAD ENOUGH THAT ANDRE AND TOWANDA DISTURB ME AT WORK, 493 00:19:12,384 --> 00:19:15,253 AND NOW TRINA IS BEIN' LOUD. 494 00:19:15,354 --> 00:19:18,490 COME ON, NOW-- THIS IS RIDICULOUS. 495 00:19:18,590 --> 00:19:19,491 TRINA, WHENEVER YOU HAVE A SECOND, 496 00:19:19,591 --> 00:19:20,492 CAN YOU COME TO MY OFFICE, PLEASE? 497 00:19:20,592 --> 00:19:21,626 WHO, ME? 498 00:19:21,727 --> 00:19:23,195 GABE, HE'S BEEN COMPLAINING ABOUT THE BILLS 499 00:19:23,295 --> 00:19:24,763 AND COMPLAINING ABOUT THE EXTRA MONEY 500 00:19:24,863 --> 00:19:26,164 THAT WE'RE SPENDING EVERY MONTH 501 00:19:26,265 --> 00:19:28,266 AND COMPLAINING ABOUT OUR SPACE BEING INVADED. 502 00:19:28,367 --> 00:19:30,969 AND, IT IS LIKE HE WANTS TO COMPLAIN ABOUT EVERYTHING 503 00:19:31,069 --> 00:19:32,804 TO GET ATTENTION. 504 00:19:32,905 --> 00:19:34,105 ANDRE AND TOWANDA 505 00:19:34,206 --> 00:19:36,241 PRETTY MUCH OVERSTEPPED THEIR BOUNDARIES. 506 00:19:36,341 --> 00:19:39,211 I THINK WE NEED TO GIVE 'EM A TIMELINE 507 00:19:39,311 --> 00:19:43,281 AS FAR AS YOU KNOW, MOVIN' OUT. 508 00:19:43,382 --> 00:19:44,883 WHY? - I'M NOT DOIN' THAT. 509 00:19:44,983 --> 00:19:46,284 - WHY? - 'CAUSE THAT'S MY SISTER. 510 00:19:46,385 --> 00:19:48,553 I INVITED TOWANDA TO COME AND STAY WITH ME. 511 00:19:48,654 --> 00:19:50,622 AND I KNOW THAT IF THE TABLES WERE TURNED, 512 00:19:50,722 --> 00:19:52,958 THAT SHE WOULD DO THE SAME EXACT THING FOR ME. 513 00:19:53,058 --> 00:19:55,460 SHE IS THE CLOSEST TO ME OUT OF ALL MY SISTERS, 514 00:19:55,561 --> 00:19:57,595 AND I'M GONNA BE THERE FOR HER NOT MATTER WHAT. 515 00:19:57,696 --> 00:19:59,564 IT'S JUST DIFFICULT FOR ME TO WORK HERE. 516 00:19:59,665 --> 00:20:01,532 MAYBE YOU SHOULD GET AN OFFICE SOMEWHERE ELSE. 517 00:20:01,633 --> 00:20:03,234 NO-- I'M NOT GONNA PAY-- RENT AN OFFICE, 518 00:20:03,335 --> 00:20:05,136 SO I CAN GO SOMEWHERE ELSE TO WORK. 519 00:20:05,237 --> 00:20:07,338 GABE, WE ALL KNOW, IS A LITTLE BIRD. 520 00:20:07,439 --> 00:20:09,674 CHEAP-CHEAP-CHEAP! 521 00:20:09,775 --> 00:20:11,243 I MEAN, IF YOU FEEL LIKE YOU WANNA HAVE THAT CONVERSATION, 522 00:20:11,343 --> 00:20:12,277 THAT'S ON YOU, 523 00:20:12,377 --> 00:20:13,611 BUT I'M NOT GONNA TELL MY SISTER 524 00:20:13,712 --> 00:20:16,048 THAT SHE DOESN'T HAVE A PLACE TO STAY. 525 00:20:16,148 --> 00:20:18,250 HER FAMILY MEANS SO MUCH TO HER 526 00:20:18,350 --> 00:20:21,319 THAT SOMETIMES THEIR DECISIONS COME IN THE WAY 527 00:20:21,420 --> 00:20:23,821 OF OUR HOUSEHOLD DECISIONS... 528 00:20:23,922 --> 00:20:26,457 OF THINGS THAT SHOULD JUST BE BETWEEN ME AND TRINA. 529 00:20:26,558 --> 00:20:28,159 WE NEED TO GIVE 'EM A DEADLINE 530 00:20:28,260 --> 00:20:30,361 ON WHEN THEY NEED TO LEAVE-- THAT'S ALL I'M SAYIN'. 531 00:20:30,462 --> 00:20:33,364 AND I TOLD YOU BEFORE THAT I'M NOT DOIN' IT. 532 00:20:33,465 --> 00:20:35,199 I THINK YOU SHOULD STAND BESIDE ME 533 00:20:35,300 --> 00:20:37,102 ON THE DECISIONS THAT I MAKE. 534 00:20:37,202 --> 00:20:38,837 I AM NEVER GOING TO TELL MY SISTER 535 00:20:38,937 --> 00:20:40,539 THAT SHE DOES NOT HAVE A PLACE TO STAY. 536 00:20:40,639 --> 00:20:41,907 I AM NEVER GOING TO TELL MY SISTER, 537 00:20:42,007 --> 00:20:44,042 "HEY, TOWANDA, YOU AND THE BABIES CAN'T STAY HERE 538 00:20:44,142 --> 00:20:45,510 BECAUSE MY HUSBAND HAS A PROBLEM WITH PAYING 539 00:20:45,611 --> 00:20:47,979 AN ADDITIONAL TEN DOLLARS A DAMN MONTH FOR SOME BILL. 540 00:20:48,080 --> 00:20:50,081 I AM PERSONALLY NOT DOING IT. 541 00:20:50,182 --> 00:20:51,816 I DON'T WANT ANY PART OF THAT CONVERSATION 542 00:20:51,917 --> 00:20:53,385 BECAUSE I DON'T AGREE WITH IT. 543 00:20:53,485 --> 00:20:54,686 I'M NEVER GONNA TELL MY SISTER THAT-- 544 00:20:54,786 --> 00:20:56,488 - CAN I SAY SOMETHING? - YOU CAN'T SAY ANYTHING-- NO. 545 00:20:56,588 --> 00:20:57,688 BECAUSE THERE IS NO FINISHING. 546 00:20:57,789 --> 00:20:59,257 THE CONVERSATION IS OVER. 547 00:20:59,358 --> 00:21:00,291 THERE'S NOTHING LEFT TO SAY. 548 00:21:00,392 --> 00:21:01,659 AS MATTER OF FACT, 549 00:21:01,760 --> 00:21:03,495 I JUST NEED TO GET OUT BECAUSE I'M NOT DOING IT. 550 00:21:03,595 --> 00:21:04,996 - OKAY. - PERIOD! 551 00:21:05,097 --> 00:21:07,064 IF TRINA CARES MORE ABOUT HER SISTER LIVING HERE 552 00:21:07,165 --> 00:21:09,968 THAN OUR MARRIAGE, THEN WE DEFINITELY NEED 553 00:21:10,068 --> 00:21:11,636 TO GET SOME PROFESSIONAL HELP. 554 00:21:11,737 --> 00:21:12,871 RIDICULOUS. 555 00:21:12,971 --> 00:21:15,273 - YOU'RE RIDICULOUS. - YOU'RE RIDICULOUS. 556 00:21:15,374 --> 00:21:17,642 COMING UP, ON "BRAXTON FAMILY VALUES..." 557 00:21:17,743 --> 00:21:18,944 NO. 558 00:21:19,044 --> 00:21:20,345 I'M THE ONE WITH THE ATTITUDE? 559 00:21:20,445 --> 00:21:22,147 WAIT A MINUTE-- WAIT A MINUTE. 560 00:21:22,247 --> 00:21:24,182 I MEAN, NOBODY CAN SAY ANYTHING EXCEPT MISS TAMAR. 561 00:21:24,283 --> 00:21:25,850 I DON'T THINK SO. 562 00:21:25,951 --> 00:21:27,085 OUR WEDDING ANNIVERSARY IS COMING UP AND I SAID, 563 00:21:27,185 --> 00:21:28,920 "YOU KNOW WHAT, GABE, I WOULD LIKE TO HAVE A NEW BAND." 564 00:21:29,021 --> 00:21:30,188 "IF YOU GET SOMETHIN' LIKE THAT, 565 00:21:30,289 --> 00:21:31,722 "YOU HAVE TO PUT OUT MORE FOR THAT. 566 00:21:31,823 --> 00:21:33,592 LIKE I'M SOME HO HE JUST MET. 567 00:21:46,371 --> 00:21:49,140 {\an8}I ASKED TAMAR TO COME OVER AND VISIT MOMMY AND TRACI 568 00:21:49,241 --> 00:21:50,575 {\an8}WHILE THEY'RE IN TOWN. 569 00:21:50,676 --> 00:21:52,277 {\an8}I'M HOPING THAT TAMAR WILL FINALLY TALK ABOUT 570 00:21:52,377 --> 00:21:54,112 {\an8}HER SOLO PROJECT. 571 00:21:54,212 --> 00:21:55,847 {\an8}I THINK IT'S TIME TO TALK ABOUT IT NOW. 572 00:21:55,947 --> 00:21:57,615 SO WHAT YA'LL BEEN DOIN' BEFORE I GOT HERE? 573 00:21:57,716 --> 00:21:59,617 - I'M STILL UNPACKING. - RIGHT. 574 00:21:59,718 --> 00:22:02,186 YEAH, WE WERE TALKING ABOUT TONI'S LOVELY KITCHEN. 575 00:22:02,287 --> 00:22:03,254 YES. 576 00:22:03,355 --> 00:22:05,090 THAT'S ALL YA'LL TALKED ABOUT IS THE HOUSE? 577 00:22:05,190 --> 00:22:06,658 WHY-- YOU GOT SOMETHIN' TO TELL US? 578 00:22:06,758 --> 00:22:07,792 WHAT YA MEAN-- NO, I DON'T HAVE ANYTHING TO SAY. 579 00:22:07,893 --> 00:22:11,096 I JUST WANNA KNOW WHAT THE 411 IS? 580 00:22:11,196 --> 00:22:14,432 WHY ARE YOU SO MUM, EVELYN AND TONI? 581 00:22:14,533 --> 00:22:16,367 {\an8}I MEAN, WHY IS EVERYBODY ACTIN' ALL WEIRD, 582 00:22:16,468 --> 00:22:18,570 {\an8}LIKE I WAS ON "AMERICA'S MOST WANTED?" 583 00:22:18,670 --> 00:22:20,205 {\an8}I MEAN, YES, I'M IN AMERICA. 584 00:22:20,305 --> 00:22:22,340 {\an8}AND, YES, I'M WANTED 585 00:22:22,441 --> 00:22:25,610 AND IT'S PROBABLY ILLEGAL TO BE THIS HOT, 586 00:22:25,711 --> 00:22:27,612 BUT I AIN'T DID NOTHIN' TO NOBODY. 587 00:22:27,713 --> 00:22:28,613 SO WHAT HAVE YOU BEEN UP TO, TAY? 588 00:22:28,714 --> 00:22:30,348 TRYING TO FIND MYSELF-- THAT'S IT. 589 00:22:30,449 --> 00:22:33,385 WELL, WHAT HAVE YOU BEEN WORKING ON? 590 00:22:33,485 --> 00:22:37,055 UM, I'VE BEEN WRITING-- TRYING TO WRITE, BUT I CAN'T-- 591 00:22:37,155 --> 00:22:39,524 I HAVE WRITER'S BLOCK. - WRITER'S BLOCK? 592 00:22:39,624 --> 00:22:41,659 {\an8}SHE BETTER BE WRITIN' FOR THE NEXT HARRY POTTER 593 00:22:41,760 --> 00:22:44,295 {\an8}AND NOT HER OWN SONGS OR SHE'S TRIPPIN'. 594 00:22:44,396 --> 00:22:45,897 SO, IF YOU DECIDE TO DO SOMETHIN' ON YOUR OWN, 595 00:22:45,997 --> 00:22:47,498 YOU WOULD TELL ME, RIGHT? 596 00:22:47,599 --> 00:22:48,967 I JUST WANNA KNOW WHAT'S GOIN' ON WITH 597 00:22:49,067 --> 00:22:51,069 THE BRAXTON'S FIRST. - THAT'S WHAT I WANNA KNOW. 598 00:22:51,169 --> 00:22:52,404 I MEAN, REGARDLESS, 599 00:22:52,504 --> 00:22:54,038 I AM GONNA PUT OUT A SOLO RECORD, 600 00:22:54,139 --> 00:22:57,208 BUT IF WE WERE TO DO A BRAXTON RECORD, 601 00:22:57,309 --> 00:23:00,578 THAT WOULD COME FIRST AND THEN I WOULD... 602 00:23:00,679 --> 00:23:02,514 WELL, ACTUALLY, YES, I DID. 603 00:23:02,614 --> 00:23:03,815 I KIND OF LIED, 604 00:23:03,915 --> 00:23:06,618 BECAUSE I'M ACTUALLY WORKIN' ON MY OWN SINGLE-- SO WHAT? 605 00:23:06,718 --> 00:23:07,652 BUT I COULDN'T TELL THEM THAT 606 00:23:07,753 --> 00:23:10,355 BECAUSE THEY GONNA BE GOIN' CRAZY ON ME. 607 00:23:10,455 --> 00:23:12,223 AND I'M STILL TRYING TO DO THE BRAXTON'S RECORD, 608 00:23:12,324 --> 00:23:15,293 AS LONG AS TONI BRAXTON IS TRYIN' TO DO IT. 609 00:23:15,394 --> 00:23:16,695 LET'S JUST BE REAL HONEST ABOUT IT. 610 00:23:16,795 --> 00:23:19,096 SINCE TONI DECIDED NOT TO DO IT AND I-- 611 00:23:19,197 --> 00:23:21,132 - IS THAT WHAT I SAID? - YOU SAY YOU'RE NOT DOIN' IT. 612 00:23:21,233 --> 00:23:23,268 I THINK A FEW SONGS WILL ALWAYS WORK, 613 00:23:23,368 --> 00:23:25,036 BUT YOU WANTED IT TO BE THE WHOLE ALBUM. 614 00:23:25,137 --> 00:23:26,771 WELL, AN EP IS NOT THAT MANY SONGS. 615 00:23:26,872 --> 00:23:28,707 AN EP IS LIKE, EIGHT SONGS. 616 00:23:28,807 --> 00:23:30,408 YOU GOT TAMAR SAYIN' IT'S TONI'S FAULT 617 00:23:30,509 --> 00:23:32,978 AND TONI SAYIN' IT'S TAMAR'S FAULT. 618 00:23:33,078 --> 00:23:34,445 I'M SO CONFUSED. 619 00:23:34,546 --> 00:23:36,681 BUT THAT MAKES MORE SENSE FOR ME TO GO-- BE FEATURED, 620 00:23:36,782 --> 00:23:38,249 THEN I MENTIONED FOR YOU GUYS BEING ON MY RECORD. 621 00:23:38,350 --> 00:23:39,551 YOU DIDN'T WANNA DO THAT. 622 00:23:39,651 --> 00:23:41,819 BECAUSE THEN, THAT MAKES US BACKGROUND SINGERS. 623 00:23:41,920 --> 00:23:43,121 BACKGROUND SINGING IS GREAT. 624 00:23:43,221 --> 00:23:44,355 I'M JUST NOT DOING IT NO MORE. 625 00:23:44,456 --> 00:23:46,624 POINT BLANK PERIOD-- I'M DONE DOT COM. 626 00:23:46,725 --> 00:23:48,226 WHATEVER-- EXCLAMATION POINT. 627 00:23:48,326 --> 00:23:49,527 GOODBYE-- I'M NOT DOIN' IT. 628 00:23:49,628 --> 00:23:50,862 PERIOD! 629 00:23:50,962 --> 00:23:52,530 I DON'T WANT YOU TO SIT AND DISRESPECT BACKGROUND SINGING, 630 00:23:52,631 --> 00:23:54,331 BECAUSE A LOT OF US GOT HERE BY DOING BACKGROUND SINGING. 631 00:23:54,433 --> 00:23:56,033 NO, THAT'S NOT WHAT I MEAN. 632 00:23:56,134 --> 00:23:57,802 WELL, YOU SAID SINGING BACKGROUND WITH TONI BRAXTON, 633 00:23:57,903 --> 00:23:59,003 THAT AIN'T HOT. 634 00:23:59,104 --> 00:24:00,805 IT AIN'T HOT-- NOT FOR ME. 635 00:24:00,906 --> 00:24:04,041 IT'S DISRESPECTFUL TO THE CRAFT, ALL OF US SINGERS 636 00:24:04,142 --> 00:24:05,944 WHO GOT HERE BY SINGING BACKGROUND. 637 00:24:06,044 --> 00:24:07,445 AIN'T NOBODY DISRESPECTIN' THE CRAFT 638 00:24:07,546 --> 00:24:09,347 OF BACKGROUND SINGER. 639 00:24:09,448 --> 00:24:11,249 I MADE A WHOLE LOT OF MONEY SINGING BACKGROUND. 640 00:24:11,349 --> 00:24:13,617 IT WAS GREAT FOR ME, YOU KNOW, WHEN I WAS DOIN' IT, 641 00:24:13,718 --> 00:24:16,087 BUT THAT'S NOT WHAT I WANT TO DO ANYMORE-- 642 00:24:16,188 --> 00:24:17,722 AND GUESS WHAT, THAT IS MY CHOICE, 643 00:24:17,823 --> 00:24:20,291 JUST LIKE IT'S HER CHOICE THAT SHE DON'T WANNA SING 644 00:24:20,392 --> 00:24:22,894 ON THE BRAXTONS ALBUM-- BOOM. 645 00:24:22,994 --> 00:24:24,663 I'VE SAID, TIME AND TIME AGAIN-- 646 00:24:28,700 --> 00:24:30,068 I'M OUT HERE SINGING DOO-WOP-POP-POP 647 00:24:30,168 --> 00:24:31,836 WITH TONI BRAXTON... 648 00:24:31,937 --> 00:24:34,005 - STOP ALREADY. - HOLD ON. 649 00:24:34,105 --> 00:24:37,175 SOMEBODY GOT TO DO THE BACKGROUND. 650 00:24:37,275 --> 00:24:39,811 MY FAMILY WILL FIND ANY REASON TO PICK ON TAMAR. 651 00:24:39,911 --> 00:24:42,480 FOR SOME REASON MY SISTERS DON'T WANNA HEAR 652 00:24:42,581 --> 00:24:44,916 ABOUT WHAT I'M DOIN' AS AN INDIVIDUAL. 653 00:24:45,016 --> 00:24:47,252 EVERY TIME I SAY SOMETHING IT'S LIKE, 654 00:24:47,352 --> 00:24:49,453 "MM-HMM-- SHE SNEAKIN', SHE PLOTTIN'." 655 00:24:49,554 --> 00:24:52,123 SO, YOU KNOW, I JUST TOOK IT AS LIKE, WHAT... 656 00:24:52,224 --> 00:24:54,292 I CAN'T TALK ABOUT THE THINGS I'M DOING? 657 00:24:54,392 --> 00:24:55,293 LIKE, FOR REAL. 658 00:24:55,393 --> 00:24:57,395 ALL I SAID WAS I'M NOT COMFORTABLE 659 00:24:57,496 --> 00:24:59,430 WITH THE BRAXTONS FEATURING TONI BRAXTON. 660 00:24:59,531 --> 00:25:00,965 THAT MAKES ME A BACKGROUND SINGER. 661 00:25:01,066 --> 00:25:03,468 - IT'S DONE. 662 00:25:03,568 --> 00:25:05,370 WAIT A MINUTE-- FIRST OF ALL... 663 00:25:05,470 --> 00:25:07,038 - I FORGOT-- - NO. 664 00:25:07,138 --> 00:25:08,806 FIRST OF ALL, 665 00:25:08,907 --> 00:25:11,108 THERE'S NO NEED IN GETTIN' ATTI-DERN-TUDE... 666 00:25:11,209 --> 00:25:12,443 - I'M THE ONE WITH ATTITUDE? - WAIT A MINUTE! 667 00:25:12,544 --> 00:25:15,112 WHO-WHO'S TRYIN' TO BE NASTY? 668 00:25:15,213 --> 00:25:17,815 OH, SO YOU GONNA GET MAD AND WALK OUT? 669 00:25:17,916 --> 00:25:19,818 I HAD TO LEAVE TONI'S HOUSE BECAUSE AT THAT POINT, 670 00:25:19,918 --> 00:25:22,120 I JUST FELT JUST TOTALLY DISRESPECTED AND ATTACKED. 671 00:25:22,220 --> 00:25:25,089 I DIDN'T GET THE CHANCE TO SAY ANYTHING. 672 00:25:25,190 --> 00:25:26,424 LIKE WHAT THE WE ARE TALKIN' ABOUT 673 00:25:26,525 --> 00:25:28,059 THAT BULL FROM LAST SEASON FOR? 674 00:25:28,159 --> 00:25:29,327 IT'S STUPID. 675 00:25:29,427 --> 00:25:31,095 HOLD UP-- WAIT A MINUTE-- REAL QUICK. 676 00:25:31,196 --> 00:25:32,897 YOU'RE MAKIN' YOURSELF LOOK BAD, TAMAR. 677 00:25:32,998 --> 00:25:34,332 YOU DOIN' THAT YOURSELF. 678 00:25:34,432 --> 00:25:35,766 NOBODY'S MAKIN' YOU LOOK BAD. 679 00:25:35,867 --> 00:25:37,535 YOU'RE DOIN' THAT YOURSELF. 680 00:25:37,636 --> 00:25:39,036 EVERYBODY'S TRYIN' TO GET BACK AT TAMAR 681 00:25:39,137 --> 00:25:40,672 FOR WHAT TAMAR SAID LAST SEASON. 682 00:25:40,772 --> 00:25:42,239 THIS IS NOT WHAT THIS IS ABOUT. 683 00:25:42,340 --> 00:25:46,210 IT'S ABOUT LAST SEASON, THIS SEASON, AND FUTURE SEASONS. 684 00:25:46,311 --> 00:25:47,612 YOU CAME TO ME WITH DOING AN ALBUM 685 00:25:47,712 --> 00:25:49,613 NOW YOU WANNA DO YOUR PROJECT? 686 00:25:49,714 --> 00:25:51,883 WHAT'S THAT ABOUT? 687 00:25:51,983 --> 00:25:53,250 OH, NOW SHE'S GONE. 688 00:25:53,351 --> 00:25:55,986 TAMAR CAN'T HANDLE SUCCESS-- IT GOES STRAIGHT TO HER HEAD. 689 00:25:56,087 --> 00:25:57,555 OUR FAMILY GOT A LOT OF PRESS LAST SEASON, 690 00:25:57,656 --> 00:25:59,190 A LOT OF EXPOSURE... 691 00:25:59,291 --> 00:26:01,726 BUT I DO THINK A LITTLE OF IT HAS GONE TO TAMAR'S HEAD-- 692 00:26:01,826 --> 00:26:03,061 BIT OF A DIVA. 693 00:26:03,161 --> 00:26:06,130 I MEAN, NOBODY CAN SAY ANYTHING EXPECT MISS TAMAR? 694 00:26:06,231 --> 00:26:07,598 I DON'T THINK SO! 695 00:26:07,699 --> 00:26:08,866 YOU'RE SUPPOSED TO LEAVE A SITUATION 696 00:26:08,967 --> 00:26:10,568 IF YOU THINK YOU'RE GONNA GET ANGRY, 697 00:26:10,669 --> 00:26:12,203 AND THAT'S EXACTLY WHAT I DID. 698 00:26:12,304 --> 00:26:13,838 THE FIGHT THAT I HAD AT TONI'S HOUSE, 699 00:26:13,939 --> 00:26:15,807 I FEEL LIKE IT WAS REALLY RIDICULOUS, 700 00:26:15,907 --> 00:26:19,310 UNWARRANTED AND JUST, WHY EVERYBODY JUMPIN' ON TAY-TAY? 701 00:26:19,411 --> 00:26:21,479 DOESN'T MAKE SENSE. 702 00:26:21,580 --> 00:26:22,847 THERE'S NOTHIN' YOU CAN DO, MAMA. 703 00:26:22,948 --> 00:26:23,847 PISS ME OFF. 704 00:26:23,949 --> 00:26:25,116 IT HAS TO TAKE ITS COURSE, 705 00:26:25,216 --> 00:26:26,685 AND YOU JUST HAVE TO ACCEPT IT HAS TO TAKE IT'S COURSE. 706 00:26:26,785 --> 00:26:29,621 AND THEN YOU'RE GONNA WALK OUT, HOP IN YOUR CAR 707 00:26:29,721 --> 00:26:32,123 AND LEAVE BECAUSE YOU GOT A ATTITUDE. 708 00:26:32,223 --> 00:26:33,658 BECAUSE SHE'S THE YOUNGEST-- SHE HAS-- 709 00:26:33,758 --> 00:26:35,326 SHE'S BEEN ABLE TO SAY WHAT SHE FEELS 710 00:26:35,427 --> 00:26:37,462 AND WHATEVER SHE'S THINKING 711 00:26:37,562 --> 00:26:39,163 AND YOU CAN'T SAY ANYTHING TO TAMAR NOW, 712 00:26:39,264 --> 00:26:41,599 BECAUSE SHE'S FEELING VERY POWERFUL RIGHT NOW. 713 00:26:41,700 --> 00:26:44,402 {\an8}TAMAR CAN SAY WHATEVER SHE WANTS TO SAY TO HER SISTERS... 714 00:26:44,502 --> 00:26:48,472 {\an8}HOWEVER, SHE CANNOT SAY WHAT SHE WANT TO SAY TO ME. 715 00:26:48,573 --> 00:26:50,775 THAT'S WHERE I DRAW THE LINE. 716 00:26:59,517 --> 00:27:00,885 {\an8}I DECIDED THAT ME AND TRINA 717 00:27:00,986 --> 00:27:02,754 {\an8}NEED TO GO SEE DR. SHERRY, AGAIN. 718 00:27:02,854 --> 00:27:05,156 {\an8}OUR MARRIAGE IS UNDER A LOT OF PRESSURE 719 00:27:05,256 --> 00:27:07,424 {\an8}AND I FEEL LIKE IT'S JUST ABOUT TO BUST APART. 720 00:27:07,525 --> 00:27:09,560 - HI! - HI-- HOW ARE YOU! 721 00:27:09,661 --> 00:27:11,296 GOOD TO SEE YOU-- GOOD TO SEE YOU! 722 00:27:11,396 --> 00:27:13,330 COME ON BACK. 723 00:27:13,431 --> 00:27:17,668 {\an8}I'M GONNA ASK WHERE DO YOU ALL SEE EACH OTHER AS A COUPLE? 724 00:27:17,769 --> 00:27:19,470 ME AND TRINA, THINGS IN OUR RELATIONSHIP 725 00:27:19,571 --> 00:27:21,639 WE HAVE GOOD WEEKS AND WE HAVE BAD WEEKS. 726 00:27:21,740 --> 00:27:24,441 LAST COUPLE OF WEEKS WE'VE JUST HAD BAD WEEKS. 727 00:27:24,542 --> 00:27:28,847 SO, I MEAN, I THINK THINGS ARE VERY IFFY. 728 00:27:28,947 --> 00:27:30,814 WE HAVEN'T BEEN VERY INTIMATE, LATELY. 729 00:27:30,915 --> 00:27:33,685 HOW IS THE SEX LIFE? 730 00:27:35,954 --> 00:27:37,989 I MEAN, I WANNA HAVE SEX ALL THE TIME. 731 00:27:38,089 --> 00:27:42,961 SHE JUST DOESN'T WANNA HAVE SEX WITH ME. 732 00:27:43,061 --> 00:27:44,262 WITH ME? 733 00:27:44,362 --> 00:27:45,830 SEE, WHAT DOES THAT MEAN? - THAT'S JUST WHAT I SAID. 734 00:27:45,930 --> 00:27:47,698 DID YOU HEAR WHAT HE SAID THOUGH? 735 00:27:47,799 --> 00:27:50,701 "SHE JUST DOESN'T WANNA HAVE SEX WITH ME." 736 00:27:50,802 --> 00:27:51,936 SO ARE YOU IMPLYING 737 00:27:52,037 --> 00:27:53,337 THAT SHE WANTS TO HAVE SEX WITH OTHERS? 738 00:27:53,438 --> 00:27:54,572 NO. 739 00:27:54,673 --> 00:27:57,242 I'M JUST SAYIN' SHE ISN'T HAVIN' SEX WITH ME. 740 00:27:57,342 --> 00:27:59,677 TRINA ALWAYS SAYS I'M TRYIN' TO BAND-AID EVERYTHING WITH SEX 741 00:27:59,778 --> 00:28:01,446 AND THAT IF I HAVE SEX, 742 00:28:01,546 --> 00:28:03,281 IT'LL MAKE THE WORLD A LOT BETTER-- 743 00:28:03,381 --> 00:28:04,948 IF HER AND I HAVE SEX. 744 00:28:05,050 --> 00:28:07,485 AND, SHE'S PROBABLY RIGHT. 745 00:28:07,585 --> 00:28:08,786 'CAUSE WHEN I DON'T HAVE SEX, 746 00:28:08,887 --> 00:28:09,888 I CAN'T KEEP MY HANDS OFF HER. 747 00:28:09,988 --> 00:28:11,089 OUR WEDDING ANNIVERSARY IS COMING UP, AND I SAID 748 00:28:11,189 --> 00:28:13,691 "YOU KNOW WHAT GABE, I WOULD LIKE TO HAVE A NEW BAND 749 00:28:13,792 --> 00:28:16,628 "FOR OUR-- FOR OUR ANNIVERSARY." 750 00:28:16,728 --> 00:28:17,661 "IF YOU GET SOMETHIN' LIKE THAT, 751 00:28:17,762 --> 00:28:18,930 "YOU HAVE TO PUT OUT MORE FOR THAT." 752 00:28:19,030 --> 00:28:22,066 LIKE I'M JUST SOME HO HE JUST MET LAST DAMN WEEK. 753 00:28:22,167 --> 00:28:23,568 NO, YOU'RE NOT A HO, YOU'RE MY WIFE. 754 00:28:23,668 --> 00:28:25,369 I WANNA SPEND TIME WITH YOU, 755 00:28:25,470 --> 00:28:28,806 BUT I FEEL LIKE YOU'RE ALWAYS OUT WITH THE BAND. 756 00:28:28,907 --> 00:28:31,342 {\an8}OKAY... LET'S BE HONEST. 757 00:28:31,443 --> 00:28:33,611 {\an8}GABE HAS AN ISSUE WITH THE BAND. 758 00:28:33,712 --> 00:28:37,014 IF I SPEND TOO MUCH TIME WITH ANYBODY HE GETS ANGRY. 759 00:28:37,115 --> 00:28:39,183 I SPEND AS MUCH TIME WITH THE BAND AS ANYONE ELSE DOES 760 00:28:39,284 --> 00:28:41,118 WHEN THEY'RE WORKING. 761 00:28:41,219 --> 00:28:42,720 IT'S THE SAME THING-- IT'S MY OCCUPATION. 762 00:28:42,821 --> 00:28:44,088 IT'S MY JOB-- IT'S WHAT I DO. 763 00:28:44,189 --> 00:28:45,290 I DON'T KNOW, 764 00:28:45,390 --> 00:28:46,724 I JUST FEEL LIKE SHE SPENDS A LOT OF TIME WITH THEM. 765 00:28:46,825 --> 00:28:48,459 AND NOT ONLY THAT... 766 00:28:48,560 --> 00:28:52,297 SHE'S ALWAYS TEXTIN' OR CALLING OR SOMETHING. 767 00:28:52,397 --> 00:28:53,631 INSTEAD OF CALLING ME TO TELL ME, 768 00:28:53,732 --> 00:28:55,733 OH, HOW MY-- HOW YOUR DAY WAS, 769 00:28:55,834 --> 00:28:57,034 YOU'RE CALLIN' SOME OTHER MAN, 770 00:28:57,135 --> 00:28:58,569 TELLIN' HIM HOW YOUR DAY WAS. 771 00:28:58,670 --> 00:29:00,572 SO, THERE ARE A COUPLE OF PEOPLE IN THE BAND 772 00:29:00,672 --> 00:29:01,805 I DO NOT LIKE. 773 00:29:01,906 --> 00:29:03,708 I HEAR ISSUES OF TRUST. 774 00:29:03,808 --> 00:29:06,244 AND I HEAR ISSUES OF TRUST THAT STARTED WAY BEFORE 775 00:29:06,344 --> 00:29:08,079 YOU SAID "I DO." 776 00:29:08,179 --> 00:29:09,346 BUT, WE'VE GOTTA LOOK 777 00:29:09,447 --> 00:29:10,982 AT THE BIG ELEPHANT IN THE MIDDLE OF THE ROOM. 778 00:29:11,082 --> 00:29:13,451 YOU HAVE ANOTHER FAMILY IN YOUR HOME. 779 00:29:13,551 --> 00:29:17,454 HOW CAN YOU BOND AND DEAL WITH WHAT YOUR ISSUES ARE 780 00:29:17,555 --> 00:29:20,325 WHEN ALL THESE OTHER ISSUES ARE IN PLACE. 781 00:29:20,425 --> 00:29:23,894 GABE AND I'S RELATIONSHIP ALREADY HAS STRAIN. 782 00:29:23,995 --> 00:29:26,764 WE ARE A COLANDER, OKAY? 783 00:29:26,865 --> 00:29:30,468 NOW, WITH TOWANDA AND ANDRE AND THEIR FAMILY LIVING HERE 784 00:29:30,568 --> 00:29:35,372 IT'S PUT ADDITIONAL STRAIN ON OUR RELATIONSHIP. 785 00:29:35,473 --> 00:29:36,941 DID HE MAKE THE DECISION 786 00:29:37,041 --> 00:29:38,777 FOR THE FAMILY TO MOVE INTO YOUR HOME? 787 00:29:40,945 --> 00:29:42,680 NO, HE DID NOT, DR. SHERRY. 788 00:29:42,781 --> 00:29:44,783 HOW DID THEY GET IN WITHOUT A DISCUSSION, 789 00:29:44,883 --> 00:29:48,819 WITHOUT THE TWO OF YOU AS A COUPLE IN "OUR" HOME, 790 00:29:48,920 --> 00:29:50,921 TALKIN' ABOUT IT? 791 00:29:51,022 --> 00:29:54,926 DR. SHERRY HAS PAINFULLY POINTED OUT TO ME 792 00:29:55,026 --> 00:29:59,330 THAT I AM IMPERFECT IN MY RELATIONSHIP WITH GABE. 793 00:30:01,366 --> 00:30:03,902 SOMEHOW, JUST LIKE THAT ELEPHANT GOT IN 794 00:30:04,002 --> 00:30:05,469 YOU'RE GONNA HAVE TO GET IT OUT. 795 00:30:05,570 --> 00:30:08,606 YOU HAVE ENOUGH ISSUES OF YOUR OWN TO DEAL WITH. 796 00:30:08,706 --> 00:30:10,475 PROMISE! 797 00:30:12,577 --> 00:30:14,678 COMING UP, ON "BRAXTON FAMILY VALUES." 798 00:30:14,779 --> 00:30:17,181 I GOTTA HAVE THE UTMOST RESPECT FOR YOU, 799 00:30:17,282 --> 00:30:18,917 BUT YOU DON'T HAVE TO HAVE IT FOR ME. 800 00:30:19,017 --> 00:30:20,584 WELL, HOW DID I DISRESPECT YOU? 801 00:30:20,685 --> 00:30:23,854 YOU WANNA ACT LIKE SOME OLD BRAT WALKING OUT ON ME, 802 00:30:23,955 --> 00:30:26,291 DISRESPECTING ME! 803 00:30:28,993 --> 00:30:30,628 YA'LL WANT SOMETHIN' TO DRINK? 804 00:30:30,728 --> 00:30:31,629 Y'ALL WANT A COCKTAIL OR SOMETHING. 805 00:30:31,729 --> 00:30:33,297 I WOULD LIKE ONE-- A COCKTAIL. 806 00:30:33,398 --> 00:30:34,298 ALL I HAVE IS WINE. 807 00:30:34,399 --> 00:30:35,600 GIRL, RED WINE PUTS ME TO SLEEP. 808 00:30:35,700 --> 00:30:37,201 TRINA'S NOT HERE-- SHE WOULD ENJOY THIS MOMENT. 809 00:30:37,302 --> 00:30:38,202 YES, SHE WOULD. 810 00:30:38,303 --> 00:30:39,470 I DON'T KNOW HOW TO OPEN IT, THOUGH. 811 00:30:39,571 --> 00:30:40,872 TRACI DON'T NEITHER. 812 00:30:40,972 --> 00:30:42,973 TRACI DON'T KNOW HOW TO OPEN NO WINE, GIRL. 813 00:30:43,074 --> 00:30:44,842 WHAT DO YOU MEAN, TRACI DON'T KNOW HOW TO OPEN WINE? 814 00:30:44,943 --> 00:30:46,410 SHE DON'T KNOW HOW TO OPEN UP NO WINE. 815 00:30:46,511 --> 00:30:48,245 SHE DON'T EVEN DRINK WINE. 816 00:30:48,346 --> 00:30:49,547 WHAT DO I DRINK? 817 00:30:49,647 --> 00:30:51,315 FIRST OF ALL, JACK DANIELS DOES NOT HAVE A CORK. 818 00:30:51,416 --> 00:30:53,417 MAYBE I DON'T KNOW HOW TO OPEN THIS ONE. 819 00:30:53,518 --> 00:30:55,986 LEMME TRY. 820 00:30:56,087 --> 00:30:59,356 I THINK YOU SUPPOSED TO TWIST THIS. 821 00:30:59,457 --> 00:31:02,359 I THINK I-- I WATCHED IT ON TELEVISION. 822 00:31:02,460 --> 00:31:03,995 READY? 823 00:31:04,095 --> 00:31:06,130 AH! 824 00:31:06,231 --> 00:31:07,932 BUT YOU COULD HAVE TURNED IT WITH THAT. 825 00:31:08,032 --> 00:31:12,069 BUT THAT WOULD'VE BEEN HARDER TO DO. 826 00:31:12,170 --> 00:31:13,804 IT'S ALMOST LIKE THE WELCHES 827 00:31:13,905 --> 00:31:15,673 THAT'S BEEN SITTING OUT ALL DAY LONG. 828 00:31:17,508 --> 00:31:19,143 I MAY WASTED MY WINE ON YOU. 829 00:31:19,244 --> 00:31:20,879 DIDN'T I TELL YOU? 830 00:31:35,893 --> 00:31:38,329 {\an8}AFTER OUR MEETING WITH DR. SHERRY, 831 00:31:38,429 --> 00:31:40,030 {\an8}IT'S BECOME PRETTY CLEAR THAT IT'S TIME 832 00:31:40,131 --> 00:31:43,001 {\an8}TO TELL TOWANDA AND ANDRE THAT THEY NEED TO GO. 833 00:31:43,101 --> 00:31:45,336 {\an8}ALTHOUGH, I'M NOT HAPPY ABOUT LETTING THEM KNOW THIS, 834 00:31:45,436 --> 00:31:49,607 {\an8}GABE, I'M SURE, IS ALL TOO HAPPY TO LET THEM KNOW. 835 00:31:49,707 --> 00:31:52,109 I'M NOT GONNA BE EXPLOSIVE 836 00:31:52,210 --> 00:31:53,510 AND I'M NOT GONNA ATTACK THEM. 837 00:31:53,611 --> 00:31:54,878 I KNOW THAT'S THE WAY YOU THINK I'M GONNA BE. 838 00:31:54,979 --> 00:31:56,514 YEAH-- THAT'S WHAT I THINK. 839 00:31:56,614 --> 00:31:57,949 WE'LL SEE WHAT THEY SAY. 840 00:31:58,049 --> 00:32:00,118 HEY, PRETTY GIRL. 841 00:32:00,218 --> 00:32:01,785 THAT HAT'S CUTE. 842 00:32:01,886 --> 00:32:03,354 {\an8}IT'S GOTTEN TO THE POINT 843 00:32:03,454 --> 00:32:05,656 {\an8}WHERE A LIMIT NEEDS TO BE SET. 844 00:32:05,757 --> 00:32:07,724 WE INVITED YA'LL TO COME HAVE BRUNCH WITH US, 845 00:32:07,825 --> 00:32:10,694 SO WE COULD REALLY FIND OUT THE DIRECTION WHERE IT'S GOIN' 846 00:32:10,795 --> 00:32:12,763 AS FAR AS LIKE, DO YA'LL HAVE A TIMEFRAME 847 00:32:12,864 --> 00:32:15,432 OF LIKE, WHEN YA'LL THINK YOU'RE GETTIN' OUT? 848 00:32:15,533 --> 00:32:17,701 {\an8}YOU KNOW, I SAW THIS COMING. 849 00:32:17,802 --> 00:32:19,804 {\an8}I THINK THERE'S AN UNSPOKEN TENSION 850 00:32:19,904 --> 00:32:22,807 {\an8}BECAUSE OF WHAT'S GOIN' ON IN HIS MARRIAGE. 851 00:32:22,907 --> 00:32:24,775 HE'S TRYING TO RESOLVE THOSE PROBLEMS. 852 00:32:24,876 --> 00:32:26,210 HOW CAN YOU RESOLVE THOSE PROBLEMS 853 00:32:26,311 --> 00:32:27,445 WHEN YOU GOT ANOTHER PROBLEM 854 00:32:27,545 --> 00:32:29,046 OF ANOTHER FAMILY LIVIN' IN YOUR HOUSE. 855 00:32:29,147 --> 00:32:30,147 WOULD YOU LIKE TO ANSWER THAT? 856 00:32:30,248 --> 00:32:31,148 DO I WANNA ANSWER THE QUESTION? 857 00:32:31,249 --> 00:32:32,350 MM-HMM. 858 00:32:32,450 --> 00:32:33,884 WELL, FIRST OF ALL, I KNOW WHERE YOU'RE COMING AT. 859 00:32:33,985 --> 00:32:35,419 YEAH. 860 00:32:35,520 --> 00:32:37,287 I KNEW THERE WOULD BE ISSUES BECAUSE I ALREADY FEEL BAD 861 00:32:37,388 --> 00:32:39,890 THAT WE GOT FOUR PEOPLE IN THAT TINY ROOM. 862 00:32:39,991 --> 00:32:41,559 SO I CAN UNDERSTAND THAT. 863 00:32:41,659 --> 00:32:43,694 AND I TOLD TOWANDA WHEN ARE WE GONNA-- 864 00:32:43,795 --> 00:32:45,229 I'VE ASKED HER THE SAME QUESTION 865 00:32:45,330 --> 00:32:46,664 AND I THINK IT IS A FAIR QUESTION. 866 00:32:46,764 --> 00:32:48,132 WHEN ARE WE GONNA LEAVE? 867 00:32:48,232 --> 00:32:49,767 {\an8}I NEVER HAD A CONVERSATION WITH GABE. 868 00:32:49,867 --> 00:32:51,335 {\an8}IT WAS JUST BETWEEN ME AND TRINA. 869 00:32:51,436 --> 00:32:52,769 TRINA SAID, "YOU KNOW WHAT TOWANDA, 870 00:32:52,870 --> 00:32:54,105 "JUST MOVE IN WITH US." 871 00:32:54,205 --> 00:32:55,606 AND I SAID, OKAY. 872 00:32:55,707 --> 00:32:57,275 BUT IT'S CLEAR WE NEED TO GET OUT. 873 00:32:57,375 --> 00:32:58,876 I DON'T KNOW WHERE WE'RE GONNA GO YET, 874 00:32:58,977 --> 00:33:00,210 BUT I'LL THINK OF SOMETHING. 875 00:33:00,311 --> 00:33:01,579 I ALWAYS DO. 876 00:33:01,679 --> 00:33:02,579 IT'S GONNA BE LESS THAN 30 DAYS. 877 00:33:02,680 --> 00:33:05,015 I HATE TO SEE YOU GO, 878 00:33:05,116 --> 00:33:07,184 AND I'M HAPPY FOR YOU TO GO AT THE SAME TIME, 879 00:33:07,285 --> 00:33:08,919 BECAUSE IT WOULD'VE BEEN A GREAT OPPORTUNITY 880 00:33:09,020 --> 00:33:12,189 FOR GABE AND I TO TRY TO RECONNECT AND RE-BOND. 881 00:33:12,290 --> 00:33:16,293 'CAUSE WE ALL KNOW THAT HE AND I'S RELATIONSHIP, 882 00:33:16,394 --> 00:33:18,929 WE'RE IN A GRAND CANYON RIGHT NOW, 883 00:33:19,030 --> 00:33:21,298 AND NOTHIN' BUT ROCKS AND BOULDERS AROUND US. 884 00:33:21,399 --> 00:33:22,800 IT'S ABOUT TIME WE HAD THIS CONVERSATION ACTUALLY. 885 00:33:22,900 --> 00:33:24,601 - IT IS. - WE NEVER REALLY HAD IT. 886 00:33:24,702 --> 00:33:26,337 WE KIND OF JUST SHOWED UP, 887 00:33:26,437 --> 00:33:29,006 PARKED THE RV OUT FRONT AND GOT OUT. 888 00:33:29,107 --> 00:33:31,008 I DON'T KNOW WHAT THE HELL WAS GOIN' ON. 889 00:33:31,109 --> 00:33:32,476 I ACTUALLY DON'T THINK WE'LL BE ABLE 890 00:33:32,577 --> 00:33:33,844 TO GET OUT OF HERE IN A MONTH. 891 00:33:33,945 --> 00:33:34,845 I MEAN, IF THEY WANT ME TO CHIP IN 892 00:33:34,946 --> 00:33:36,813 AND BUY SOME MILK AND CEREAL I'LL DO THAT, 893 00:33:36,914 --> 00:33:39,416 BUT IT JUST NOT GONNA HAPPEN ANYTIME SOON. 894 00:33:39,517 --> 00:33:41,251 BUT I'M NOT GONNA TELL THEM THAT YET. 895 00:33:41,352 --> 00:33:45,222 WELL, LET ME JUST DRINK TO THE ELEPHANT LEAVING THE ROOM. 896 00:33:45,323 --> 00:33:47,358 UNFORTUNATELY, I'VE HEARD IT BEFORE 897 00:33:47,458 --> 00:33:49,927 AND I'M GONNA HAVE TO SEE IT TO ACTUALLY BELIEVE IT. 898 00:33:50,028 --> 00:33:51,795 I DON'T THINK I CAN GO MORE THAN ANOTHER MONTH 899 00:33:51,896 --> 00:33:53,564 WITHOUT SOMETHIN' HAPPENIN'. 900 00:34:05,076 --> 00:34:06,210 {\an8}- HEY. - HEY, LITTLE LADY. 901 00:34:06,310 --> 00:34:08,980 {\an8}I'M TRYIN' TO FIGURE OUT WHY NOBODY MADE ME NO BACON? 902 00:34:09,080 --> 00:34:11,515 EVERYBODY KNOW I LIKE BACON AND COFFEE IN THE MORNING. 903 00:34:11,616 --> 00:34:13,550 SO, MOMMY CAME WHEN I WAS MAKING SOME BREAKFAST 904 00:34:13,651 --> 00:34:15,319 {\an8}AND SHE'S BEEN LIKE NOT SPEAKIN' TO ME SINCE 905 00:34:15,420 --> 00:34:18,522 {\an8}THIS WHOLE DUMB ASS FIGHT WE HAD OVER AT TONI'S HOUSE. 906 00:34:18,623 --> 00:34:20,525 I MEAN, WE REALLY NEED TO GET TO THE BOTTOM OF THIS. 907 00:34:20,625 --> 00:34:22,560 THIS IS LIKE, GETTING OUT OF HAND AT THIS POINT. 908 00:34:22,660 --> 00:34:24,228 WHAT WAS UP WITH THE OTHER DAY? 909 00:34:24,328 --> 00:34:25,763 LIKE, WH-WHAT WAS THAT ALL ABOUT? 910 00:34:25,863 --> 00:34:27,464 THAT'S WHAT I'M GETTIN' READY TO ASK YOU. 911 00:34:27,565 --> 00:34:29,600 WHAT WAS UP THE OTHER DAY? 912 00:34:29,700 --> 00:34:30,967 I DON'T KNOW. 913 00:34:31,069 --> 00:34:32,503 LIKE, EVERYBODY WAS JUMPIN' DOWN MY THROAT AT THE SAME TIME 914 00:34:32,603 --> 00:34:35,339 LIKE, YOU KNOW, I HAD SOMETHIN' AGAINST SINGIN' BACKGROUND. 915 00:34:35,440 --> 00:34:36,574 I DON'T HAVE NOTHIN' AGAINST SINGIN' BACKGROUND. 916 00:34:36,674 --> 00:34:38,742 THAT'S JUST NOT RIGHT FOR ME ANYMORE. 917 00:34:38,843 --> 00:34:42,846 SO, YOU THOUGHT THAT WAS OKAY FOR YOU TO GET A ATTITUDE 918 00:34:42,947 --> 00:34:45,115 AND WALK OUT WHEN I'M TRYIN' TO TALK TO YOU? 919 00:34:45,216 --> 00:34:47,151 I THINK-- NO, NOBODY WAS TRYING TO TALK TO ME. 920 00:34:47,251 --> 00:34:49,019 I FELT ATTACKED-- TOTALLY ATTACKED. 921 00:34:49,120 --> 00:34:51,355 {\an8}THE PROBLEM IS TAMAR DOES NOT WANNA TAKE 922 00:34:51,456 --> 00:34:53,524 {\an8}CONSTRUCTIVE CRITICISM. 923 00:34:53,624 --> 00:34:55,592 {\an8}SHE'S SPOILED. 924 00:34:55,693 --> 00:34:56,727 SO, THAT IS WHY I WAS LIKE, 925 00:34:56,828 --> 00:34:58,228 LET ME REMOVE MYSELF FROM THIS SITUATION 926 00:34:58,329 --> 00:35:01,165 BEFORE I SAY SOMETHING THAT I MAY REGRET. 927 00:35:01,265 --> 00:35:02,933 YEAH, BECAUSE ESPECIALLY IF YOU SAY IT TO ME. 928 00:35:03,034 --> 00:35:04,268 OR TO WHOMEVER. 929 00:35:04,368 --> 00:35:06,137 ESPECIALLY IF YOU SAY IT TO ME. 930 00:35:06,237 --> 00:35:07,804 LET ME MAKE MYSELF CLEAR... 931 00:35:07,905 --> 00:35:09,073 MOMMY, WHY ARE YOU SNAPPIN' ON ME, AGAIN? 932 00:35:09,173 --> 00:35:11,141 NO-- YOU THINK I'M SNAPPIN'. 933 00:35:11,242 --> 00:35:16,380 I DON'T CARE IF YOU GET MAD 50102 TIMES... 934 00:35:16,481 --> 00:35:18,749 YOU DO NOT DISRESPECT ME, TAMAR. 935 00:35:18,850 --> 00:35:20,184 I AM THE MOTHER. 936 00:35:20,284 --> 00:35:23,821 I DIDN'T COME FROM YOUR WOMB, YOU CAME FROM MINE, OKAY? 937 00:35:23,921 --> 00:35:26,457 YOU DON'T DISRESPECT ME AT ALL. 938 00:35:26,557 --> 00:35:27,891 LET'S KEEP IT REAL. 939 00:35:27,992 --> 00:35:30,328 YOU KNOW WHAT, IF I DID NOT DESERVE THAT. 940 00:35:30,428 --> 00:35:31,595 IT'S SIMPLE AS THAT. 941 00:35:31,696 --> 00:35:32,997 WHY ARE YOU YELLING AT ME? 942 00:35:33,097 --> 00:35:35,733 BECAUSE YOU KNOW WHAT, SOMETIMES, TAMAR, 943 00:35:35,833 --> 00:35:37,868 YOU JUST-- YOU HAVE TO LISTEN 944 00:35:37,969 --> 00:35:41,472 AND IN LISTENING IT'S NOT ALWAYS SOMEONE ATTACKING YOU. 945 00:35:41,572 --> 00:35:42,839 BUT IT WAS-- IN THAT SITUATION IT WAS. 946 00:35:42,940 --> 00:35:45,343 YOU SEE-- YOU SEE, YOU CAN'T GET A WORD IN. 947 00:35:45,443 --> 00:35:46,777 LET ME TELL YOU WHAT MY DAD SAID. 948 00:35:46,878 --> 00:35:50,247 "A FISH WILL NOT GET CAUGHT IF HE DOESN'T OPEN HIS MOUTH," 949 00:35:50,348 --> 00:35:53,050 AND SOMETIMES YOU OPEN YOUR MOUTH TOO MUCH. 950 00:35:53,151 --> 00:35:56,687 I THINK THE FAMILY HAVE LET TAMAR GET AWAY 951 00:35:56,787 --> 00:35:59,223 WITH TOO MUCH FOR A LONG TIME. 952 00:35:59,323 --> 00:36:03,293 TONI WOULD COVER THINGS UP AND WOULD NOT LET US KNOW 953 00:36:03,394 --> 00:36:05,095 WHAT TAMAR WAS DOING, OR WHAT TAMAR DID, 954 00:36:05,196 --> 00:36:07,031 BECAUSE SHE DIDN'T WANT TAMAR TO GET IN TROUBLE. 955 00:36:07,131 --> 00:36:12,570 SO, NOW THAT WE ALL HAVE CREATED THE MONSTER, 956 00:36:12,670 --> 00:36:16,173 YOU KNOW, NOW THEY WANT ME TO DO SOMETHING ABOUT IT. 957 00:36:16,274 --> 00:36:18,342 I WAS BEING ATTACKED. 958 00:36:18,442 --> 00:36:20,444 I DON'T LIKE TO FEEL THAT WAY. 959 00:36:20,545 --> 00:36:22,113 FIRST OF ALL, TAMAR-- 960 00:36:22,213 --> 00:36:24,114 SO, I WAS BEING RESPECTFUL-- THAT'S WHY I HAD TO GO. 961 00:36:24,215 --> 00:36:25,883 - LIKE RIGHT NOW? - I LET YOU TALK-- 962 00:36:25,983 --> 00:36:28,685 - BUT I WASN'T FINISHED. - MOMMY, WHAT'S THAT? 963 00:36:28,786 --> 00:36:30,021 WHAT YOU THINK IT IS? 964 00:36:30,121 --> 00:36:31,656 DON'T DO THAT. 965 00:36:35,526 --> 00:36:38,128 COMING UP, ON "BRAXTON FAMILY VALUES." 966 00:36:38,229 --> 00:36:39,630 YOU WILL NOT DISRESPECT ME, 967 00:36:39,730 --> 00:36:41,098 AND THE NEXT TIME YOU DO IT, 968 00:36:41,199 --> 00:36:42,966 I'M GONNA SLAP THE PISS OUT OF YOU. 969 00:36:43,067 --> 00:36:44,435 TRY ME. 970 00:36:48,639 --> 00:36:52,443 {\an8}SO, MOM COMES OVER AND WE START HAVING A CONVERSATION 971 00:36:52,543 --> 00:36:54,778 {\an8}ABOUT THE FIGHT OVER TO TONI'S HOUSE. 972 00:36:54,879 --> 00:36:56,613 MY MOTHER KEEPS US ALL IN CHECK 973 00:36:56,714 --> 00:37:00,717 AND I BELIEVE IN SOMEBODY KEEPIN' THE GROUP IN CHECK. 974 00:37:00,818 --> 00:37:03,988 HOWEVER, YOU GOTTA KEEP THE PEOPLE IN LINE 975 00:37:04,088 --> 00:37:05,522 WHO NEEDS TO BE IN LINE. 976 00:37:05,623 --> 00:37:07,424 AND, AT THAT TIME, I DIDN'T NEED TO BE IN LINE, 977 00:37:07,525 --> 00:37:09,526 BECAUSE I DON'T FEEL I DID ANYTHING. 978 00:37:09,627 --> 00:37:11,696 ALL I'M TRYING TO TELL YOU IS 979 00:37:11,796 --> 00:37:13,864 THE DISRESPECTFULNESS OF IT ALL. 980 00:37:13,965 --> 00:37:16,033 THAT'S ALL I'M SAYIN', TAMAR. 981 00:37:16,133 --> 00:37:18,736 LET ME SAY WHAT I WANT TO SAY ALSO. 982 00:37:18,836 --> 00:37:20,170 - BUT WHAT ABOUT ME THOUGH? - YOU CAN. 983 00:37:20,271 --> 00:37:22,039 - I'M AN ADULT, TOO. - OKAY, GO AHEAD. 984 00:37:22,139 --> 00:37:23,540 YOU KNOW IN CONVERSATIONS, YOU TALK, I TALK-- 985 00:37:23,641 --> 00:37:25,342 - GO AHEAD. - WELL, OKAY. 986 00:37:25,443 --> 00:37:27,011 WELL, YOU KNOW, I JUST FELT THAT 987 00:37:27,111 --> 00:37:29,079 I WAS DEFINITELY MISUNDERSTOOD. 988 00:37:29,180 --> 00:37:32,183 I SAID, I DON'T HAVE A PROBLEM SINGING BACKGROUND. 989 00:37:32,283 --> 00:37:35,586 BACKGROUND SINGING HAS BEEN A VERY LUCRATIVE CAREER FOR ME, 990 00:37:35,686 --> 00:37:38,689 BUT IT IS SOMETHING THAT I DON'T WANT TO DO ANYMORE. 991 00:37:38,789 --> 00:37:39,956 AND, YOU KNOW, 992 00:37:40,057 --> 00:37:43,293 FOR SOME REASON EVERYBODY TOOK TOTAL OFFENSE TO THAT. 993 00:37:43,394 --> 00:37:47,431 FIRST OF ALL, TAMAR, I KNOW YOUR DESIRES. 994 00:37:47,531 --> 00:37:50,867 WHY WOULDN'T I WANT YOU TO MOVE ON? 995 00:37:50,968 --> 00:37:54,104 WHY WOULDN'T I WANT THE BEST FOR YOU? 996 00:37:54,205 --> 00:37:57,041 I LOVE YOU-- I'M YOUR MOTHER. 997 00:37:57,141 --> 00:38:01,211 IF ANYONE'S IN YOUR CORNER, IT'S ME. 998 00:38:01,312 --> 00:38:03,647 WHEN HAVE I NOT BEEN IN YOUR CORNER? 999 00:38:03,748 --> 00:38:04,981 MOMMY, WHY ARE YOU YELLING AT ME? 1000 00:38:05,082 --> 00:38:07,618 NO-NO-NO-- BECAUSE YOU NEED TO HEAR. 1001 00:38:07,718 --> 00:38:08,952 BUT YOU'RE YELLING AT ME. 1002 00:38:09,053 --> 00:38:10,254 IT'S LIKE, YOU'RE NOT TALKING TO ME. 1003 00:38:10,354 --> 00:38:12,256 YOU'RE YELLING AT ME. 1004 00:38:12,356 --> 00:38:14,258 HOW SHOULD I TALK, TAMAR? 1005 00:38:14,358 --> 00:38:16,260 DEMONSTRATE-- SHOW ME HOW I SHOULD TALK. 1006 00:38:16,360 --> 00:38:19,030 LIKE-LIKE A MOTHER WOULD TALK TO HER GROWN DAUGHTER. 1007 00:38:23,034 --> 00:38:24,635 I'M NOT AGAINST YOU, TAMIE. 1008 00:38:24,735 --> 00:38:26,069 - I NEVER SAID THAT. - I LOVE YOU. 1009 00:38:26,170 --> 00:38:28,272 - I LOVE YOU, TOO. - YOU'RE MY YOUNGEST CHILD. 1010 00:38:28,372 --> 00:38:31,007 OKAY-- YOU'RE MY BABY, 1011 00:38:31,108 --> 00:38:35,045 AND THERE'S NOTHIN' I WOULDN'T DO FOR YOU OR YOUR SIBLINGS, 1012 00:38:35,146 --> 00:38:39,316 BUT I CANNOT ALLOW YOU 1013 00:38:39,417 --> 00:38:42,185 OR ANY OF THE OTHERS TO DISRESPECT ME. 1014 00:38:42,286 --> 00:38:45,055 I CANNOT ALLOW THAT-- I WON'T ALLOW THAT. 1015 00:38:45,156 --> 00:38:47,724 - CAN I TALK NOW? - NO, I'M NOT FINISHED. 1016 00:38:47,825 --> 00:38:49,092 WHY I CAN'T FINISH 1017 00:38:49,193 --> 00:38:50,628 AND YOU HAVE TO SAY WHAT YOU HAVE TO SAY? 1018 00:38:50,728 --> 00:38:53,396 SO, I GOT TO HAVE THE UTMOST RESPECT FOR YOU, 1019 00:38:53,497 --> 00:38:54,632 BUT YOU DON'T HAVE TO HAVE IT FOR ME. 1020 00:38:54,732 --> 00:38:55,732 YOU CAN'T TELL ME WHAT I DID. 1021 00:38:55,833 --> 00:38:56,800 I ASKED YOU FIVE TIMES. 1022 00:38:56,901 --> 00:38:57,801 LIKE, HOW DID I DISRESPECT YOU? 1023 00:38:57,902 --> 00:38:58,802 WHAT DID I SAY TO YOU? 1024 00:38:58,903 --> 00:39:00,804 YOU WANNA ACT LIKE SOME OLD BRAT 1025 00:39:00,905 --> 00:39:04,441 WALKIN' OUT ON ME, DISRESPECTIN' ME. 1026 00:39:04,542 --> 00:39:05,909 NONE OF YOU! 1027 00:39:06,010 --> 00:39:08,244 I DON'T CARE WHO YOU ARE, WHERE YOU COME FROM, 1028 00:39:08,346 --> 00:39:09,847 WHAT YOU HAVE ACCUMULATED 1029 00:39:09,947 --> 00:39:12,249 OR WHAT YOU NEVER WILL ACCUMULATE-- I DON'T CARE. 1030 00:39:12,350 --> 00:39:13,818 MOMMY, TRACI WALKED OUT ON YOU ALL THE TIME. 1031 00:39:13,918 --> 00:39:16,120 BUT Y'ALL NOT GONNA TALK TO ME ANY KIND OF WAY, 1032 00:39:16,220 --> 00:39:17,921 AND I MEAN THAT. 1033 00:39:18,022 --> 00:39:21,892 I DEFINITELY FEEL LIKE MOST OF THE TIME 1034 00:39:21,992 --> 00:39:24,228 IT'S A LITTLE BIT MORE CRITICAL WHEN IT COMES TO ME. 1035 00:39:24,328 --> 00:39:26,730 HONESTLY, I FEEL LIKE I'VE BEEN GOIN' THROUGH THIS 1036 00:39:26,831 --> 00:39:28,365 EVEN BEFORE THIS SHOW. 1037 00:39:28,466 --> 00:39:30,434 LIKE I'VE ALWAYS SAID, IT'S ALWAYS MY FAULT. 1038 00:39:30,534 --> 00:39:32,202 I'M ALWAYS WRONG. 1039 00:39:32,303 --> 00:39:33,470 I'M NOT THAT BAD. 1040 00:39:33,571 --> 00:39:35,405 YOU GONNA LEARN AS YOU GET OLDER 1041 00:39:35,506 --> 00:39:38,843 YOU CANNOT DO WHATEVER YOU WANNA DO TO OTHER PEOPLE. 1042 00:39:38,943 --> 00:39:41,478 YOU CANNOT DO THAT-- IT'S WRONG. 1043 00:39:41,579 --> 00:39:43,146 BUT I DID NOT DO ANYTHING! 1044 00:39:43,247 --> 00:39:46,117 YOU WILL NOT DISRESPECT ME AND THE NEXT TIME YOU DO IT, 1045 00:39:46,217 --> 00:39:49,720 I'M GONNA SLAP THE PISS OUTTA YOU 1046 00:39:49,820 --> 00:39:51,521 AND I MEAN JUST WHAT I'M SAYING. 1047 00:39:51,622 --> 00:39:53,924 TRY ME-- THINK I'M PLAYIN'. 1048 00:39:54,024 --> 00:39:56,994 HONESTLY, I WAS REALLY DEVASTATED BY THE CONVERSATION 1049 00:39:57,094 --> 00:39:59,096 THAT MY MOTHER AND I HAD IN THE KITCHEN. 1050 00:39:59,196 --> 00:40:00,797 FOR REAL, FOR REAL, 1051 00:40:00,898 --> 00:40:02,533 I REALLY DON'T SEE WHAT I DID WRONG. 1052 00:40:13,744 --> 00:40:15,612 {\an8}I'M COMPLETELY FLOORED ABOUT THE FIGHT 1053 00:40:15,713 --> 00:40:17,147 {\an8}THAT I HAD WITH MY MOTHER. 1054 00:40:17,248 --> 00:40:19,749 I DIDN'T THINK THAT GETTIN' THE PISS SLAPPED OUT OF ME 1055 00:40:19,850 --> 00:40:22,852 WAS KIND OF APPROPRIATE FOR WHAT HAPPENED. 1056 00:40:22,953 --> 00:40:25,022 BUT YOU KNOW, I'M JUST REALLY HOPING 1057 00:40:25,122 --> 00:40:26,956 VINCE CAN GIVE ME SOME REALLY GOOD ADVICE, 1058 00:40:27,057 --> 00:40:29,393 BECAUSE HE'S GOOD AT UNDERSTANDING PEOPLE. 1059 00:40:29,493 --> 00:40:31,761 OKAY, MY NERVES, FOR REAL, IS ON PROBATION. 1060 00:40:31,862 --> 00:40:33,864 LIKE SERIOUSLY. - WHAT HAPPENED? 1061 00:40:33,964 --> 00:40:36,467 WELL, I GOT IN A FIGHT WITH MY FAMILY. 1062 00:40:36,567 --> 00:40:38,802 - OKAY. - GO OVER TONI'S HOUSE... 1063 00:40:38,903 --> 00:40:40,237 AND YOU KNOW WHEN YOU WALK IN A ROOM 1064 00:40:40,337 --> 00:40:41,571 AND YOU KNOW SOMEBODY BEEN TALKIN' ABOUT YOU? 1065 00:40:41,672 --> 00:40:42,973 MM-HMM. 1066 00:40:43,073 --> 00:40:45,509 SO IT TURNS INTO AM I WORKIN' ON MY RECORD 1067 00:40:45,609 --> 00:40:48,445 AND WHY DO I HAVE A PROBLEM SINGIN' BACKGROUND, 1068 00:40:48,546 --> 00:40:49,680 ALL OF A SUDDEN. 1069 00:40:49,780 --> 00:40:52,383 AND I'M LIKE, HOLD-HOLD-HOLD-- PUMP YOUR BRAKES, FOOL. 1070 00:40:52,483 --> 00:40:54,384 I DON'T UNDERSTAND WHAT THE BIG DEAL IS 1071 00:40:54,485 --> 00:40:56,286 IF I DO MY RECORD. 1072 00:40:56,387 --> 00:40:58,021 LIKE, WHAT'S WRONG WITH THAT? 1073 00:40:58,122 --> 00:40:59,089 YOU WANNA DO THE BRAXTON'S ALBUM. 1074 00:40:59,190 --> 00:41:00,223 YOU WANNA DO YOUR OWN ALBUM. 1075 00:41:00,324 --> 00:41:01,591 YOU WANNA DO EVERYTHING. 1076 00:41:01,692 --> 00:41:02,893 THERE'S NOTHIN' WRONG WITH THAT. 1077 00:41:02,993 --> 00:41:04,928 TRINA'S WORKIN' ON A RECORD. 1078 00:41:05,029 --> 00:41:06,663 AIN'T NOBODY MAD AT HER. 1079 00:41:06,764 --> 00:41:08,065 WELL, TONI WAS LIKE-- 1080 00:41:08,165 --> 00:41:09,199 TONI'S GONNA BE WORKIN' ON HER ALBUM. 1081 00:41:09,300 --> 00:41:10,500 NOBODY'S GONNA GET MAD AT HER. 1082 00:41:10,601 --> 00:41:13,103 I FEEL BOMBARDED-- LIKE, MOMMY POPPIN' OFF, 1083 00:41:13,204 --> 00:41:15,439 TONI POPPIN' OFF, TRACI POPPIN' OFF. 1084 00:41:15,539 --> 00:41:17,241 SO, I HAD TO GO. 1085 00:41:17,341 --> 00:41:20,210 NOW MOMMY'S LIKE, YOU DISRESPECTFUL TO ME. 1086 00:41:20,311 --> 00:41:22,112 AND YOU KNOW, SHE CAME OVER EARLIER TALKIN' ABOUT 1087 00:41:22,213 --> 00:41:23,647 SHE GONNA SLAP THE PISS OUT OF ME 1088 00:41:23,747 --> 00:41:25,282 IF I BE DISRESPECTFUL TO HER AGAIN. 1089 00:41:25,382 --> 00:41:28,452 AND I'M LIKE WHAT DID I DO NOW? 1090 00:41:28,552 --> 00:41:30,320 {\an8}IT HURT HER REALLY BAD FOR HER MOM TO SAY 1091 00:41:30,421 --> 00:41:32,222 {\an8}SHE'S GONNA SLAP THE PISS OUT OF HER. 1092 00:41:32,323 --> 00:41:33,657 YOU KNOW, SHE ADORES HER MOTHER. 1093 00:41:33,757 --> 00:41:35,425 SO, IT KIND OF SHOCKED AND SCARED HER. 1094 00:41:35,526 --> 00:41:37,427 SOMETIMES YOU HAVE A HARD TIME EXPRESSING YOURSELF. 1095 00:41:37,528 --> 00:41:38,862 NO, BUT YOU WASN'T THERE. 1096 00:41:38,963 --> 00:41:39,997 IT WASN'T LIKE THAT. 1097 00:41:40,097 --> 00:41:41,798 CAN I FINISH-- CAN I JUST FINISH FOR A MINUTE? 1098 00:41:41,899 --> 00:41:43,300 SOMETIMES YOU HAVE A HARD TIME EXPRESSING YOURSELF 1099 00:41:43,400 --> 00:41:45,468 AND SOMETIME, PEOPLE HAVE A HARD TIME 1100 00:41:45,569 --> 00:41:47,871 UNDERSTANDING WHAT YOU EXPRESS. 1101 00:41:47,972 --> 00:41:49,406 I WAS PRETTY CRYSTAL CLEAR. 1102 00:41:49,507 --> 00:41:50,840 TAMAR, CAN YOU LISTEN FOR A SECOND? 1103 00:41:50,941 --> 00:41:53,410 - PRETTY CLEAR, VINCE. - YOU DON'T GET IT. 1104 00:41:53,511 --> 00:41:54,544 I'M TRYING TO TELL YOU WHAT HAPPENED. 1105 00:41:54,645 --> 00:41:55,712 I KNOW WHAT YOU SAYIN', 1106 00:41:55,813 --> 00:41:57,747 BUT I'M TRYIN' TO HELP YOU UNDERSTAND YOUR FAMILY. 1107 00:41:57,848 --> 00:42:01,551 PEOPLE DON'T UNDERSTAND YOU, HOW YOU EXPRESS YOURSELF. 1108 00:42:01,652 --> 00:42:02,786 I LIVE WITH IT.